After "foolin around" by myself for a bit, I've wisened up and started taking regular lessons. My questions: What are your opinions regarding the best characteristics for beginner bows? I'm looking for responses in terms of flexibility, length, weight and related characteristics. This is not intended as a "which cheap bow should I buy" question, although feel free to cite examples of specific models that, in your opinion, make decent entry level bows.
This is my first major shot at learning bass. I took about three years of cello lessons in the late 1970s and also play, or attempt to play, the trombone, tuba and euphonium (hence the BASS Barrister tag). I own two bows, a geneeric "Bausch" branded German bow ($500) and a Bob G. French Style
($150).
At the outset of my first lesson, my teacher said that I was free to play whichever style I was most comfortable with. I was able to draw an sound with the German but with some effort and without consistency. My teacher than asked me to try the Bob G bow: both he and I noted immediate improvement in sound and technique, even though the hair on the Bob G. bow is in terrible shape. He then asked me to try his bow, and my bowing improved even more substantially. When I asked him what bow brand this was, he replied: "Don't know. I got it off the internet for $75 or so. It's some kind of composite something or the other." He added: "I'm not into equipment." My teacher is a fairly well known free-lancer around here with both solid classical and jazz experiences and whatever he has works for him.
My thinking is that my greater facility with the French bow has something to do with my cello playing experience - maybe the French hold came more naturally. These are my thoughts regarding the two French bows:
Bob G: somewhat rigid and heavy. Terrible hair even I've only had it for one year and have hardly played it (that of course can be fixed with a rehair). A bit longer than other bass bows I've seen.
Mystery bow: lighter, slightly shorter, and a solid but more flexible feel. It seemed to work better for me, at least then.
"Bausch" German: decent bow but I just had trouble forming the hold.
The bottom line; I think I need to look for a better French bow.
Sorry for the length of the post. I'm appreciative of any input.
This is my first major shot at learning bass. I took about three years of cello lessons in the late 1970s and also play, or attempt to play, the trombone, tuba and euphonium (hence the BASS Barrister tag). I own two bows, a geneeric "Bausch" branded German bow ($500) and a Bob G. French Style
($150).
At the outset of my first lesson, my teacher said that I was free to play whichever style I was most comfortable with. I was able to draw an sound with the German but with some effort and without consistency. My teacher than asked me to try the Bob G bow: both he and I noted immediate improvement in sound and technique, even though the hair on the Bob G. bow is in terrible shape. He then asked me to try his bow, and my bowing improved even more substantially. When I asked him what bow brand this was, he replied: "Don't know. I got it off the internet for $75 or so. It's some kind of composite something or the other." He added: "I'm not into equipment." My teacher is a fairly well known free-lancer around here with both solid classical and jazz experiences and whatever he has works for him.
My thinking is that my greater facility with the French bow has something to do with my cello playing experience - maybe the French hold came more naturally. These are my thoughts regarding the two French bows:
Bob G: somewhat rigid and heavy. Terrible hair even I've only had it for one year and have hardly played it (that of course can be fixed with a rehair). A bit longer than other bass bows I've seen.
Mystery bow: lighter, slightly shorter, and a solid but more flexible feel. It seemed to work better for me, at least then.
"Bausch" German: decent bow but I just had trouble forming the hold.
The bottom line; I think I need to look for a better French bow.
Sorry for the length of the post. I'm appreciative of any input.