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Double Bass BERGANTINO CABINETS WITH DOUBLE BASS

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Not a direct answer to your question but I am using Bergantino NXT 212 with my EUB.

It sounds great. Has excellent clarity and provides very full and rounded bottom.

I am using it quite a bit for a Jazz Guitar and Bass duo most of the time in lower volume settings but I have used it in outdoors and in large rooms.

I have played my DB through it (sounds great) but I am really not gigging with my DB right now.

I have also used it with a couple of Rock Cover bands using an EB… it definitely works with that too.

I am using the Bergantino Forte HP amp. It works really well to plug in with Piezo pick up (the impedance is not an issue).

Hopefully this helps.
 
My HDN 210 looks like overkill, but it actually weighs about the same as my cocktail jazz cab (Acme Low-B1). I like the height with the vertical configuration (middle aged tall guy, tired of crouching down) and the exceptionally shallow depth (because a lot of my stages are shallow).
The fidelity in the midrange is really special - especially when running the speaker profile in the B|Amp.
I'm surprised Bergantino hasn't caught on more with double bass players - the hi-fi philosophy seems more relevant here than for magnetic bass guitars. A neo 1x10 by them would destroy for this application.
berg - 1.jpeg
 
I own a pair of the original HT112 cabs. I've been using them now for over two decades so I guess I like them :thumbsup: I use them for doubling gigs or BG only gigs. For DB only gigs I usually take my AI Coda out.

I think I was already using a Walter Woods head when I got them. For BG only gigs I sometimes used my A.M.P. heads instead.

From a blues gig in Maine back in 2019:

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Boston Blues Festival at the Hatch Shell in Boston…also my avatar picture.

hatchshell.jpg


Believe it or not, the original Bergantino factory was around the corner from a restaurant where I was host bassist for a blues jam. When jammers asked about the cabs (they weren’t very common then) I’d tell them they were made here in town, you could see the old mill building from the front porch, walk there in less than five minutes.
 
I have been using an older HT112ER for the last decade - for both electric and upright.
a couple years ago, I bought a HDN112 to complement it. the HDN is about 20 lbs lighter! and nearly the same full rich sound. Most gigs, I bring both and place them apart from each other - one by the drummer and one by the keys or guitarist. When I'm rich, I'll want to get a newer NXT112 to replace the HT heavy weight.
 
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I don't have to drag them around, but I love my UB and EUB thru my Berg NV115 cab(s) with various ss and tube heads. Sealed, 6" midrange, no tweeter. Got a Berg preamp recently and can't wait to here it with the NV115 stacked IR's.
 
My HDN 210 looks like overkill, but it actually weighs about the same as my cocktail jazz cab (Acme Low-B1). I like the height with the vertical configuration (middle aged tall guy, tired of crouching down) and the exceptionally shallow depth (because a lot of my stages are shallow).
The fidelity in the midrange is really special - especially when running the speaker profile in the B|Amp.
I'm surprised Bergantino hasn't caught on more with double bass players - the hi-fi philosophy seems more relevant here than for magnetic bass guitars. A neo 1x10 by them would destroy for this application.
View attachment 5322682
 
I own a pair of the original HT112 cabs. I've been using them now for over two decades so I guess I like them :thumbsup: I use them for doubling gigs or BG only gigs. For DB only gigs I usually take my AI Coda out.

I think I was already using a Walter Woods head when I got them. For BG only gigs I sometimes used my A.M.P. heads instead.

From a blues gig in Maine back in 2019:

View attachment 5322988

Boston Blues Festival at the Hatch Shell in Boston…also my avatar picture.

View attachment 5322991

Believe it or not, the original Bergantino factory was around the corner from a restaurant where I was host bassist for a blues jam. When jammers asked about the cabs (they weren’t very common then) I’d tell them they were made here in town, you could see the old mill building from the front porch, walk there in less than five minutes.
I love my HT112’s — I have the later grill than yours. I have yet to find a cabinet I like more. And like yourself, I’ll use em with BG and/or upright.
 
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If I had a lighter berg 112 version I might feel a little differently....

Funny how tastes change. When I got the Bergs I was very happy with how light they were! Way lighter than the two EV loaded cabs and Traynor extension cab I had been using, lighter than any of the combos I had used…SWR Baby Blue, Traynor BassMate, Traynor TS120B...lighter than my Community PA mains, lighter than tube amp heads, etc. Now they only feel heavy because compared to my AI combos, they are :meh:
 
I fully endorse a 12" spkr for DB. The long scale has enough bottom for 12", but a 15" would probably boom unevenly.

I used a reconed EVM12S for years, fitted in a Polytone Minibrute. It made the Polytone preamp come alive, producing a clear firm sound. (Underwood + impedence matcher)

The Ext Spkr socket was rewired so that the combo could also be used as a spkr only. I paired that with a EVM15L cab and a bigger dedicated head for EB gigs. The shorter scale needs a 15" to reproduce a good bottom end IMO, and the 12" enhanced it.

That 12" combo/spkr was the lynchpin of a flexible system, clear & solid whatever the venue or instrument. So much from just three items. Smallish but heavy.

Today spkrs/cabs are lighter and more powerful.
I suggest the same combination is still useful for doublers.
Has anyone else used their combo as a spkr as well?
 
Has anyone else used their combo as a spkr as well?

The only combos that can be used as a speaker cabinet are ones that an exposed cable connection. Unplug it from the combo and if needed get a female-to-female connector to connect another speaker cable going to the other amp.

SWR Baby Blue combo can be easily used as a cabinet. Having jacks on both the amp chassis and the cabinet isn’t very common.

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Acoustic Image Coda S4. A fixed cable to the cabinet is more common. A speakon coupler and a speaker cable would be needed to connect the cabinet to another amp. The only AI combos like this were the ones with the removable “Cabrio” heads.

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I have older Bergantino HT112ER and EX cabinets and they work very well for upright amplification. They aren’t light by today’s standards.

If the newer Bergantino models possess some of the same characteristics of the older models then they would make an excellent choice. They can go deep, but are not characteristically boomy. I use a HPF set between 40-50Hz when using my Mesa D-800+ for louder gigs
 
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