I have an ash/rosewood CV-5 and it's got a Great voice, Has to be used in studio, just a little heavy. I'd agree, the most options and stability since my T40, the first bass I had that cut, fundamental and tone.That Schecter CV-5 intrigues me, but would have to have the same mod done. I wonder how it differs from just a regular jazz bass with those pickups. They are definitely different from anything I've ever seen before. Looks like a larger-than-necessary P pickup with added black spacers to make it look like a humbucker. But if that's the case, than what coil are you tapping? You can't real coil tap a P right? Wouldn't that just give you half of the pickup then? Lol. Like just the B and E strings? Clearly that's not what this does, but I find it a little mind-boggling. Or am I just a dummy and does a standard P pickup actually have a second coil underneath?
I don't know much about the technical aspect but each pu has a switch for up, middle and down. Down is the darkest and has the most volume. I assume it's more humbuckerish or p. Middle seems to take out lots of volume and low end, and both on middle can sound like a very bright Jazz. The up position seems to be single coil, neck down and bridge up and you have a pj sound. A normal jazz sound is both up. Both down is the darkest and most resembling 2 p or 2 humbuckers. Mine is set pj right now, but trying others is always possible. I haven't tried neck down bridge middle yet... It's got a great P emulation with just the neck pu in any configuration. these pu's are passive and loud, like my 1981 Carvin.