• TalkBass has been independent since 1998. Add your voice.
    Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
    Join freeLog in
    Want zero display ads or expanded classifieds tools? Compare plans.

Best Bass preamp?

For a versatile rock sound, I'd recommend an Aguilar DB659 or a Trace Elliot V-Type.

Personally, I love the Demeter HBP-1 (I used to own a VTBP-201S), but it only does clean.

Tech 21 RPM is pretty nice.

Yamaha PB-1 is a great preamp for the money.

If I could own any preamps I wanted, I'd try out a Glockenklang Bass Art Classic, a Phil Jones P-1, and a Mike Pope MP1.
 
+1 to this. I've been quite happy with the Kern for nearly a decade.

I'm kinda wanting to move to a micro rig in my old age as I'm getting tired of lugging rack gear. But the tone I get from the Kern makes it difficult to even think about selling it off.

I ended up with chadds' Kern once he started cheating on it with Monique. ;)

For the past 5 years or so I've been using a LMII, and thought it might be a challenge since the Kern weighs about 3x as much as the LMII...but what I did was rack it with an uber powerful, uber light Peavey IPR3000, in a three space rack. It's under 20 pounds and 3Kw worth of power. As a guy who's played many tube amps over the years, I have to say I'm amazed at how to me its nearly indiscernible from a 'all tube' rig. Its stunning.
 
Demeter HBP-1

My soundman said

"you're not any louder than last night but I can feel it in my chest, like at a NASCAR race.

The night before I was using my SWR 750X.

The Demeter and a Crown power amp and WOW! Not to mention Eden speakers, custom basses, great cables and etc.

You get the picture!
 
If you're looking at the Demeter, then definitely consider the Kern IP-777.

I have a Demeter VTBP-201s pre now, and played a Kern for a while. They didn't seem much alike to me. The Kern had that big bottom end which reminded me more of the Alembic F-1X.

A few of my favorite pre's:

The Demeter VTBP-201s is very fast, very clean, and has a pretty narrow range of tone control adjustment. Wonderful tone, no overdrive to speak of.

The Mike Pope MPP-1 is even faster, with fabulous, almost three dimensional clarity. This preamp really sounds "just like your bass" (but better, somehow). Very effective tone controls at well-chosen frequencies. Absolutely NO distortion or overdrive.

The Aguilar DB 659 (discontinued) is a wonderful "rock preamp." It has lots of punch and grunt, and it sounds wonderful "on eleven."

The Aguilar DB 680 (discontinued) is a magical tube pre, capable of producing a lush pillowy sound, but also capable of producing a clean, fast sound or even gritty tube distortion too. The two bands of full-parametric eq are great for sculpting sound!

There are several great pre's out there. Have fun with your search!

- Greg
 
For the past 5 years or so I've been using a LMII, and thought it might be a challenge since the Kern weighs about 3x as much as the LMII...but what I did was rack it with an uber powerful, uber light Peavey IPR3000, in a three space rack. It's under 20 pounds and 3Kw worth of power. As a guy who's played many tube amps over the years, I have to say I'm amazed at how to me its nearly indiscernible from a 'all tube' rig. Its stunning.

+1! I've been using my IPR-3000 with the Mike Pope pre, and also with an Aggie DB 659. The amp is amazing at less than 8 lbs, and it doesn't sound "digital" to me at all. And I can literally lift the rack case with one finger! Amazing!

Greg
 
If you're not against a pedal-format preamp, I've been absolutely in love with the Tronographic Rusty Box. If you're after something that's a bit "rock" voiced, and has the ability to overdrive incredibly well, I'd give this a look. I'd never use it on a jazz gig, but I've been using it all the time for rock, funk, and a couple of one-off blues and country gigs with great success. Additionally, it's the key component in my studio for the "colored" side of bass tracks, which get mixed against a "neutral" side, which is a pre-everything DI of just the bass. Works incredibly well for this roll as well.

No built-in DI, so either bring a separate DI box, or a good mic for your bass cab.
 
It would be helpful if people would write the brand and the name of products, instead of just model numbers.

"My GP12SMX is good to me"
"I picked up a DB680 and it rocks"
"look no further than HBP-1"
"my favorite: UA 6176"

Some of us don't know what you are talking about, so it doesn't help us learn about preamps if you only put a model #. But thank you everyone else who included more information. Sorry I don't know a lot about gear, obviously, that's why I'm here!
 
Several years ago, bass icon Dave Pomeroy was the bassist for a good friend's studio sessions in Nashville. His bass tone was smooth and clean. He was using an Ampeg SVT IIP as a DI for the sessions. So now, that is what I am using. - not just for country. Works well in my home studio as a DI and with my other amp heads for a more Ampeg like tone, although with the extensive eq control available it is definitely not a one trick pony.
 
  • Like
Reactions: Bassmec

Latest posts