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True they are different animals, but the upshot is bad advice based on the idea one should bake tone into your cab. This approach is nuts IMO as you are narrowing your creative scope for no benefit save obviating the need to learn how to use your equipment in ways beyond previous limitations imposed by its prior deficiencies.
A fEARful will do everything your 810e will do and a lot more. This is not a problem, but rather an opportunity.
To the point, take a look at the 810e...
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Now lets compare that to a 15/6 fEARful from 100 to 5k Hz*.
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While the measurement set is not sufficient to compare what is going on below 100Hz between these two cabs, rest assured the fEARful exceeds the capabilities of the 810e down low by a significant margin. This does not mean you have to play with an authoritative and solid low end that goes an octave deeper than an 810e [and makes the panties drop] but you can if you want.
Bottomline: if you are man enough to twiddle a few knobs you can get any tone you like out of a fEARful... from the dubbiest of dub dubs to slap happy zinginess. Got a sound in head? Your fEARful can take you there.
This means you can explore response profiles far beyond the capabilities of lesser cabs, and that statement is neither hyperbole, nor a subjective opinion from me regarding how you should sound when you play your bass. Instead, its physics: measured, demonstrable, and reproducible.
If you like your 810e, try a 66 fEARful. Its smaller, lighter, louder, goes lower, goes higher and has vastly superior off axis response = you won't want to go back, and in any event, your band mates wouldn't let you.
*Notes: Loudness normalized for comparison - in real life a 15/6 allows LF performance far past the point an 810e hits fart out - but if you want to get louder than an 810e in the mids as well, get a 1515/66. If response above 5kHz is desired you can add a tweeter, this concept is included in the fEARful design scope for those who want it.
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I asked on the fEARful forum if anyone could name a few professional/touring/recording artists who use them regularly and didn't get a response...that alone speaks volumes to me.
vintage SVTs and the new VRs are 24" wide. i made my own lightweight 2x15 cab (w/neo 15's) that measures 25"Wx36"Tx14"D and my SVTs look good on it (IMO). the cab only weighs 46 1/2lbs and fits in my BMW's trunk so it's alot easier schlep. and the two 3015's (or 15PR400's) put out ALOT more clean fullrange output than my ampeg 8x10 fridge cab. and being that it's a foot shorter than an 810 makes it a bit easier for me to set my 85lb SVT head on top of it.
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i like it so much that i'm building a second one right now, only this one will have the option of running a steel perfed grill or silver-blue ampeg cloth.
There's more than one reason behind that. It isn't necessarily because touring pros are opting NOT to play these cabs. It is likely a combination of several factors.. fEARful is still a relatively new name in the ring, and it still isn't as well known as the industry standards. Give it another year or so, the pros are just becoming aware of these guys.. fEARfuls are not being commercially produced, (i.e. built on a mass-produced basis) there is no corporate entity to aggressively promote these cabs. Its not that I haven't fielded several questions in terms of endorsements. A larger company could accomodate, but we are a network of very small businesses, most of us couldn't absorb the costs of doing so..

Ok...I'm really glad that you enlightened me, thank you
Any opinion on Bergantino cabs?
No matter what you do with your eq it is not possible to make a Fearful + SVT head sound like an 8x10 + SVT head.True they are different animals, but the upshot is bad advice based on the idea one should bake tone into your cab. This approach is nuts IMO as you are narrowing your creative scope for no benefit save obviating the need to learn how to use your equipment in ways beyond previous limitations imposed by its prior deficiencies.![]()
Why is that people take for granted that you need to adjust 31 bands of EQ to make FOH cabinets sound the way they want, but cry bloody murder if they need more than 3 bands to adjust bass guitar cabinets?