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dedpool1052 said:i got one a few months ago. stock, i felt it was lacking in the tone department. the p-pup was really hollow and empty sounding while the bridge was far too middy/burpy sounding. the hardware was also lacking, but on par with instruments in that price range. so i ended up replacing the tuners with black schaller bml's and putting a black schaller roller bridge on it. i also had the pickups replaced with an emg phz/35hz set and had a coil tap for the bridge pickup put in. the push-pull tone pot was replaced with a standard 500k with a .047 cap. it has a very different sound now. while the HZ's are passive, they're still emg pickups, so they've got "that" sound. the coil tap does offer some good versatility. the p pickup sounds fuller with a bigger bottom end than the stock pickup and the 35hz in the bridge is cleaner sounding with a more well-defined midrange. overall, i think the mods were a good improvement over how it came stock and that bass has become my new #1.
Check out the modern SB1's. They're a P, but with a really muscular pickup.
What does this mean exactly? Just curious. More aggressive midrange?
Just out of curiosity, why not get a Fender? The AVRI's are outstanding.
Maybe because, they are overpriced and overrated. Fenders are the most modded basses out there, why?, because they were not good to start with. The typical "i gotta get a P bass because they are the best" brigade, then take the damn thing apart, replace the p/up, replace the bridge, replace the controls,,WHY????? because they paid for the name!!
Listen to Carol Kaye, the most respected and successful session bass player in music history, she rates them as "Damn Awful". You have to try loads of them before you find a decent one,,,Then you have to upgrade everything!!
Actually Carol Kaye rated the J bass as awful.....she used a P bass a lot.....not sure how modded hers was..... but hey any production bass can vary quite a bit.Maybe because, they are overpriced and overrated. Fenders are the most modded basses out there, why?, because they were not good to start with. The typical "i gotta get a P bass because they are the best" brigade, then take the damn thing apart, replace the p/up, replace the bridge, replace the controls,,WHY????? because they paid for the name!!
Listen to Carol Kaye, the most respected and successful session bass player in music history, she rates them as "Damn Awful". You have to try loads of them before you find a decent one,,,Then you have to upgrade everything!!
Maybe because, they are overpriced and overrated. Fenders are the most modded basses out there, why?, because they were not good to start with. The typical "i gotta get a P bass because they are the best" brigade, then take the damn thing apart, replace the p/up, replace the bridge, replace the controls,,WHY????? because they paid for the name!!
Listen to Carol Kaye, the most respected and successful session bass player in music history, she rates them as "Damn Awful". You have to try loads of them before you find a decent one,,,Then you have to upgrade everything!!
Maybe because, they are overpriced and overrated. Fenders are the most modded basses out there, why?, because they were not good to start with. The typical "i gotta get a P bass because they are the best" brigade, then take the damn thing apart, replace the p/up, replace the bridge, replace the controls,,WHY????? because they paid for the name!!
Listen to Carol Kaye, the most respected and successful session bass player in music history, she rates them as "Damn Awful". You have to try loads of them before you find a decent one,,,Then you have to upgrade everything!!
Carol played 1000's of sessions with a P bass strung with flats and always played with a pick....it was the J bass she did not like in the way it recorded onto tape back in the day.Wow! Eye opening.
If only every player actually listened to what Carol Kaye said, I bet nobody would be playing them.