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If you want that boompity boomp Abbey Road sound then it's gotta be Rotosound 88 tapewounds.
Hit the nail on the head there jimibrixUsing La Bella DTB round. Have always used flatwounds on my 500/1 and believed I was getting the best sound possible without ever trying anything else. I purchased the La Bella 'Deep Talkin' Bass' Hofner set, roundwounds and was blown away... This IS the Abbey Road sound... It's got a bite it never had before. Being a Conklin 7 string fretless player for many years now, I only use my Hofner for recording certain songs in my 'state of he art' recording facility when I'm trying to capture a particular sound. I recorded a track side by side with flats and rounds on the same bass, and found the round was definitely a superior sound, which I could adjust to deaden. With the flats, I was stuck somewhat in the mud even after using my plug-in EQ's... My La Bella Hofner roundwound set is as follows: 50/65/80/100. I've been playing bass for 37 years. Don't deprive yourself. You can always muddy up a 'bright', but it's much harder to brighten up a 'muddy'! It's not matter of taste to me in as much as it's a matter of options in sound creation. With roundwound, you've doubled them.
All you Labella fans: which set have you found best out of the light or medium set flats?
I've been using Roto 77M's 40 50 75 90, which sound great apart from the E, which almost sounds dead compared to the rest (been through a couple of them). I've concluded that they're just too light and the heavier the better (i am just guessing though).
What does your E sound like for sustain and tone out of the Light .96 and Medium .100 sets? Which would you recomend?