• TalkBass has been independent since 1998. Add your voice.
    Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
    Join freeLog in
    Want zero display ads or expanded classifieds tools? Compare plans.

Double Bass Best Way for Tuning

I've learnt and used to tune with harmonics.. I've been told it is the most accurate way.. But recently I heard it is not that accurate in fact..
How do you tune? Is there any way of tuning that is proved to be the correct one?
Thank You:)
 
I use a variety of harmonics and intervals until I have the bass tuned by ear. If you are new at it, or can't rely on your ear, consider using a tuner. It is all up to the player to find the best way to tune the individual instrument.

EDIT: posted from my mobile phone and realized that this is in the DB section. Sorry.
 
Harmonics are in perfect temperament and we use even temperament. Octaves are fine, the fifths and fourths are out a bit and the third is out a fair amount.
You mean just temperament I think. That would mean the partials are progressively sharp which could make an instrument progressively sharp or flat if the 1st partial the perfect 5th was used to tune the adjacent string's 16va harmonic or vice versa. I think. LOL



EDIT - Regarding FRETTED Instruments: The following is a reprint of THE GUILD OF AMERICAN LUTHIERS data sheet #45.
"You must not, at any time, use harmonic tones at the 7th fret as a point of reference (skilled piano tuners could use them because they know how many beats to introduce between 4th and 5th). Harmonic tones at the 7th fret are pure 5ths, while in equal temperament each 5th must be lowered slightly."
 
Anymore I mostly tune on the fly. I carry a tuning fork in my pocket and get ballpark before the hit but I'll often adjust as I go depending on what I hear from the other folks I'm playing with. Tuning to an out of tune piano is a waste.

I will usually tune with unison harmonics them compare the 4th harmonics at the octave. I know what in-tune 4th should sound like. The big thing to me is 'in-tune' is relative to the playing situation and I try be flexible.
 
All harmonics are out of tune. But, I still use them on the go (orchestra rehearsals usually). Not really a big deal. When I can (every time I practice) I just use the open strings against one another and also a tuner. Tuners get you really really close (even perfectly in the “green”) but you still have to pick a string to call in tune and match everything off of that.
 
I use a tuner but I use different notes too. I tune to the open and to the twelth fret. Then I use assorted notes between the open and twelth to finalize for each string. I know this makes no since but it works for me. My intonation is good.
 
I have a crappy clip on tuner.. I need to buy a bunch of tuning forks so I always have one handy though (much prefer tuning that way, at least on the fly). If it's for an orchestra/chamber performance I bring along my Korg OT-120 (which is normally used in the practice room only).