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Blondie: the ultimate Mustangmaster®

Hi there, (as always: sorry for my bad english)

here Blondie, my beloved short-scale 1977 Musicmaster after its heavy (and definitive) tweaking.
"She" is my first bass(ess), purchased in August 1993, and was a piece of XXXt. But love is love, so i added a bridge pickup in a weird but "sweet" and functional position (as the Fender does last year on his new Mustang), changed the tuners (Grover Titan) and the bridge as well: Schaller. She played much better, but..

So, after A LOT of experiments, here the results:
First, a modern Squier maple neck bought last year on Stratosphere: i discarded the original one, worn and warped. Now i have a really playable bass!

Then, a Schaller Bassbucker with series-split-parallel switch who replaced the Model P, too muddy and undefined (on this bass). Is the BEST pickup ever tried: deep, full, rich, without loss of definition. Essential is the Schaller PBX in bridge position, a very good JB style pickup. Both NOS from the 80's.

A three way switch, a smart and useful addition in the right position, allow me to switch easily through three unique and distinguishing sounds that i can refine by two volume pots and the Humbucker DPDT on-on-on switch.

In the end, a Mustang chrome plate, a chrome humbucker ring, a chrome bridge cover, a chrome strat jack cup. Chrome. Chrome everywhere.
The Hipshot Xtender is a useful add-on for my beloved lowD: despite the short scale sounds very well.

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This is a very nice bass, ergonomic, with a special, peculiar, deep tone and (in my opinion) a very nice look.
 
Just to be a tedious pedant, the bridge pickup is a JBX not a PBJ. Either way, a bass with a lot of cool! Great to see a Schaller-powered unit.

You more than right: JBX, yeah. Before the Bassbucker i tried the PBX, close to the Dimarzio Model P but more focused, anyway too dark and "boomy". This one is perfect! I Love Schaller's pickups: cheap and really well made.

That's cool as hell. I love modded basses, especially old, beaten shortscales. They have so much character.

I agree: character is the word.

And thanks to all for your kind appreciation! Blondie is happy. Me too.
 
Question: Why the slant of the J - pickup? Is this for more articulation on the bass-side, a little more depth on the treble side, both, or for some complete other reason?

i assume both, and also to align the pole pieces with the strings. a musicmaster will have a narrower string width than a jazz bass.

Correct: polepieces aligment at first but i looked for a balanced sound also. I'll try to explain: i dislike a "twangy" treble side and i dislike a muddy, undefined low side. This is the perfect solution to achieve the sound i was looking for
 
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