my garageband program did that...of course, it's one line. I'll just bring those notes down to the bass clef and then it will read normally....
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This is "pretty close". Remember that I use an open A, E and D whenever I see fit underneath the melody to give it more fiddle sound and complexity. I just can't really write that out so you just have to use your own discretion.
Anyone on here ever tried to get the percussive chop that fiddle players and cellists like rushad eggleston do? I've been working on it, and was wondering if anyone has had any success with it.
i've got a couple of examples on my blog at Link Removed and i've been trying it out live and did it on a couple of records in the past couple of years.
Natalie Haas plays cello and has an assortment of chops that she uses to great effect.
I've been working on it off and on for a while. I find that the technique Rushad uses of chopping parallel to the strings doesn't yield the same effects on the bass, and more often than not breaks a ton of bow hairs. I've been trying to get the same effect by chopping perpendicular to the strings (in line with usual bow movement). Also, I find the chop works better on the higher strings than the lower (in contrast to the cello or fiddle chop, where they tend to chop on the lower strings). You get more of the "cccrrch" sound.
What about you?
Darrol Anger's 'Chops and Grooves' DVD is a pretty good intro to the technique, for those who don't know it. Just wish it wasn't so cheezy to sit through.
I don't play lefty, it's the mirror image of the webcam on my computer and I always forget to turn it around before I upload them...a rainy day project I guess. Thanks for the listen.
I agree with the post above. I played this tune as a bass player at festivals for years. So I had the tune in me long before I tried it on the bass. And furthermore, I tried it on the bass many times and thought I couldn't get a piece of it so I just gave up. Then I got a recording recently by French Carpenter and there the tune was again. He played it with two parts but hearing it helped me assemble it in my head and then on the bass. Of course, it doesn't sound too good at first. You've just to take it phrase by phrase and see if you can get any of them happening.
A lot of it has to do with the bowing and phrasing as you can see when these tunes are written out they look very childlike. There is a pulse or swing that keeps the damn thing in the air so try to practice that simple shuffle a bit. I could make you a super slow file and send it to you?
I found a free download here:
http://music.download.com/morgantownrounders/3615-8240_32-100620010.html