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body

The goal is thinly radiused body edges. Heavier woods with less body and a neck composition that would balance out the entire design. A thicker body center for pickup(s) and one volume pot and a top mounted mono jack. Passive.
I would imagine that there are a variety of flowing pieces of wood in every luthier's shop left from cutting bodies from blanks that might be fitted together to form such a body. One could artistically place maple, bloodwood, ebony, etc. Am I getting this idea across to make sense? :eyebrow:
 
The goal is thinly radiused body edges. Heavier woods with less body and a neck composition that would balance out the entire design. A thicker body center for pickup(s) and one volume pot and a top mounted mono jack. Passive.
I would imagine that there are a variety of flowing pieces of wood in every luthier's shop left from cutting bodies from blanks that might be fitted together to form such a body. One could artistically place maple, bloodwood, ebony, etc. Am I getting this idea across to make sense? :eyebrow:

You can do a dropped edge with a router.
 

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" Dropped edge" now that is interesting. If the dropped part were ash, maple, alder and the raised part ebony, walnut, bloodwood, or any other contrasting wood...
The body could even be contoured but be more traditional where it sits on the leg in a sitting position...
 

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