I know nothing about the everything-pedals, but I'm a big fan of their compact pedals.
I use the NS-2 Noise Supressor, CS-3 Compressor/sustainer, ODB-3 Distortion, and CEB-3 Chorus.
One strong suggestion I have for you is to try the CS-3 to ODB-3 to CEB-3 combination ([bass]-CS-ODB-CEB-[Amp]). Set the CS-3 like Output=12:00, Tone=2:30, Attack=2:00, Sustain=12:00; the ODB like Output=(equal on/off volumes - soemthing like 10:00), Lows=1:00, Highs=11:00 (definately adjust this one to-taste; it makes a huge difference in the distortion character!), Balance=9:00, Gain=1:30; set the CEB like Effect=3:30, Filter=8:00, Mod=3:00, Depth=9:00.
A great light-OD sound is same as above, except set ODB to Output=(equal on/off volumes - something like 1:00), Lows=1:00, Highs=7:00 (full CCW), Balance=9:00, Gain=7:00 (full-CCW). Notice that it's easy to change between these between songs because the only knob-changes you need are: Output from 10:00 to 1:00, Highs from 11:00 to off, and gain from 1:30 to off.
My main points are that the CS-3 is the ONE effect I'd take-along if I could bring no-other (I used to say 'my Aphex Xciter', but I changed my mind since actually BEING in a couple situations where I've only brought one pedal or the other!) - and that the ODB is quite transformed by the addition of a compressor at its input.
Here's a recent recording of my Peavey 5-string Foundation Bass - wearing T.I. Jazz Flats - through CS-3 to Xciter to ODB to GK amp (all in the loop of the NS-2, for super-quiet noise performance, even at huge gains):
Invalid Link Removed
I'm running more gain than I'm suggesting for you, because of the Noise Supressor that's in my setup - with the remote-sensing NS-2 in-play, you can use any insane amount of gain that you want; You'll have NO noise and NO squeeling!
Some Folks'll look-down-their-nose at Boss pedals, but they've really done me right, for my sound!
Joe