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If it's long and loud, you're probably going to want a turn-around somewhere during the note, otherwise you're trying to play a crescendo approaching the tip. If this is a section piece, you also don't want the turn-arounds all in the same place.
The section I play in typically approach this as stagger - try to change when no one else is, and do so as inconspicuously as you can so you have an effect of sustained, uninterrupted crescendo.