I'm looking for good examples of pop music (or other radio friendly genres) with busy basslines. Specific qualities: Lines that draw the listeners ear, yet in a way that does not detract from the vocalist (but adds to it in a counterpuntal fashion) Lines that do not stick to a continual ostinado, but evolve, change, vary, deviate, are organically in flux Some of my favorite examples so far: James Jamerson Bassline - "Shoo-Be-Doo-Be-Doo-Da-Day" by Stevie Wonder Stevie Wonder - I Was Made To Love Her (bass) "Wake Me Up Before You Go Go" - Deon Estus transcribed bass line Runaway by Jamiroquai, bass line Note the common threads of lines that support the vocals and song structure, have melodic elements, have very different licks in between each vocal phrase, etc. etc. Anyone have some input?
The reason for this search: My natural voice on bass is fairly busy, organic, and melodic, but in a way that reinforces the groove and is counterpuntally sensitive to the melody rather than overshadowing it. I want points of reference to refine my style, and also to present to a vocalist that I have been working with as to ways that my style can sit nicely in pop music.
Talk Talk - It's My Life Great bassline that is very lively but also tasteful (I think). Maybe not in the same style as the examples you listed, but worth a listen
Thanks, @knumbskull Anyone else have some ideas? I'm thinking of maybe some Jaco – perhaps when he was playing with Joni Mitchell?
Different genres have different flavors of busy. Bruce Thomas w/ Elvis Costello. Busy, propulsive chord tones with just a couple passing notes. Marcus Miller on Grover Washington's "Just the Two of Us." Busy tasteful counterpoint and support for the melody. . Graham Maby on early Joe Jackson, for example "Fools in Love"Busy chord tones, like Thomas, but here echoing reggae elements. Squeeze's "Tempted" (Keith Wilkinson on bass, IIRC.) Busy, w/ nice tension and release. A lot of slash chords w/ bass under inversions in keys and guitars.
Thanks a lot for all of the replies, guys. Here are my favorite examples so far of what I'm talking about: James Jamerson Bassline - "Shoo-Be-Doo-Be-Doo-Da-Day" by Stevie Wonder Stevie Wonder - I Was Made To Love Her (bass) "Wake Me Up Before You Go Go" - Deon Estus transcribed bass line Runaway by Jamiroquai, bass line Note the common threads of lines that support the vocals and song structure, have melodic elements, have very different licks in between each vocal phrase, etc. etc.
I'm on mobile so hopefully someone else can link it, but Cee Lo Green's shag You has a great bass line.
Ironically, "Simple Man" by Lynyrd Skynyrd has a pretty busy bass line: But it really works and helps drive the song. If you're more into punk, Rancid's Matt Freeman is a good example: