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Busy, Roving Pop Basslines?

I'm looking for good examples of pop music (or other radio friendly genres) with busy basslines.

Specific qualities:

Lines that draw the listeners ear, yet in a way that does not detract from the vocalist (but adds to it in a counterpuntal fashion)

Lines that do not stick to a continual ostinado, but evolve, change, vary, deviate, are organically in flux

Some examples that come to mind are Paul McCartney on Something, James Jamerson on What's Going On, Flea on You Oughta Know, etc.

Anyone have some input? :D

You bet! Your description has got Bruce Thomas' name written all over it:





MM
 
James Jamerson was the king of that style of bass playing. For instance, check out his line on the Four Tops songs "I Can't Help Myself (Sugar Pie Honey Bunch)" and "Bernadette.". Another guy in that style who isn't nearly as well known would be Norman Watt-Roy's line on "Hit Me With Your Rhythm Stick" by Iam Dury & The Blockheads.
 
I found myself down the Ute Oob rabbit hole late last night and, yeah- Bruce Thomas & Colin Moulding are both fine examples. Something in the water over there...

Also, you might look into some John Wetton- there's some ripping stuff in several bands he was in. Plus, he was a great singer, to boot!

Percy Jones on Eno's records, too.
 
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I found myself down the Ute Oob rabbit hole late last night and, yeah- Bruce Thomas & Colin Moulding are both fine examples. Something in the water over there...

Yep. I've thought for a long time now that the Brit bassists have got some special sort of je ne sais quoi. Several of them referenced in this very thread, i.e. Bruce Thomas, Colin Moulding, Graham Maby, Mark King, John Taylor, etc. made their bones starting in the late 70s / early 80s...though my personal favorites go back as far as Paul McCartney, John Entwistle, Jack Bruce...and Chris Squire.

MM