I would appreciate that man!On my BX250 and BX1500 I find the contour to be nice on its own but as soon as you add a band, cranking the contour makes the sound disappear. I also find that if I'm using an active bass and want more bass sound through these amps, turning up the bass eq on the bass itself helps a lot. If your bass is passive, roll off the tone knob a bit.
Another thing to think about is that the low mids, can help you perceive more bass. So, try taking out the graphic EQ and turn the low mids knob to around 1:00 (+3 according to Carvin) with the frequency between 100 and 200. Also, slightly bump the bass and take out some treble. When you do this, keep the contour at 9:00 or less and take out the compressor. Should help a bit.
I'll post pics later of my favorite settings on both and maybe that will help.
EDIT: Wow, how many times can I use the word bass in a sentence?![]()
Okay thanks, I will try that out tonight.This works nicely for me in a very small room :
Tube bypass (tube off)
graphic eq off
All settings "o-clock":
Drive 12:30
Contour 9:15
bass 2:00
1st mid frequency 8:45
1st mid level 2:15
2nd mid frequency 9:00
2nd mid level 10:00
treble 11:00
compressor 8:00
Okay, I will test this as well.I had this same amp and gigged it for a few years, it always gave me a great tone; it was my most complemented tone out of any amp I've owned. My settings are below (for an alternative band that was loud). Granted this was for a live mix, much different than a bedroom tone.
All settings described in "o'clock settings"
Drive 1 (or a touch off when the clip light would be on from my hardest playing)
Contour fully off
bass 11
1st mid frequency 10
1st mid level 1 (combo set to bump some low mids)
2nd mid frequency 1:30
2nd mid level 10 (combo set to take away some clank)
treble noon
graphic eq off (for me this was the biggest trick to a great tone for me, I hate graphic eqs)
compressor 9
any room and it was gravy