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Cabinet replacement

My rig is a GK 700 rb II, Ampeg SVT 210he, and a Ashdown MAG 115 deep. I dislike the Ash 15 so it's gone. I need another 8 ohm cab. Got it narrowed down to these.
GK 212 neo
GK 410 neo
Ampeg SVT 410 he
I like the 212. Played in the store by itself. Mainly looking for feedback on durability and compatibility by others with this setup or experience with these cabs. I want to buy used.
I play Fender ASTD P, pick , rock. Gigs are bars. Inside and outside. This is my first post.
Thanks in advance.
 
It will give more SPL and lows than the SVT-410HE as the SVT-210HE is actually about half an SVT-410HLF, not the sealed 410HE. (The 210 is ported, albeit not as deep in tone and uses the HLF version speakers.)

I have been forced to gig the 410 Neo a few times (proveided backline). IME / IMO it is far less capable than the Ampeg SVT-410s.
 
I was just thinking that adding a 8 ohm 410 to the 210 would equal a 610 or 3 4ths a 810 fridge. It would get the 4ohm power from the 700 rbii. Another 210he would be cheaper and probably the way to go. I do wonder though what a 700 rbii + 212 neo + 210he would sound like and how loud. Thanks I will be test drivin.
 
Ya, you can always use a small 210 cab that kicks it. And if you get two of them, it makes for a great vertical stack. Will make the 700rb overhang if you put it on top, but you could put it on the bottom if it's in a rack.
 
Yep. Like so:

SVT210avsSpring2012_zpsc617ba61.jpg


My cabs are 210av's, but you can do the same with the 210he's, plus they'll take a harder pounding.
 
Oh, strap handles? Hmmm...well if you do it, just remember to plug the holes so air doesn't leak out and make it sound broken. Totally forgot they had strap handles on the sides, though. That makes it a little tougher to stack that way, doesn't it? You could install rubber feet if you don't want to lose the handles, but that would require drilling, which might affect resale value, although those cabs aren't really selling for a fortune anyway.

Well the difference is how the sound gets dispersed. With the vertical stack, you get a cab up closer to your head, which gives you a more representative sound of what your rig sounds like to the audience, plus the highs and upper mids get dispersed through the room in a wider pattern. That's why I like the vertical stack. But a regular square 410 sounds good, too. I just like taller rigs.
 

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