But the sound and inspiration never dies!But it’s not the 80’s any more.
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But the sound and inspiration never dies!But it’s not the 80’s any more.
Exactly. Remember that meme that floated around a few years ago as a mock article? "Metal bassist gets unprecedented $100 3 year contract". It was funny as hell! (And hella accurate)...No, metal musicians are poor and Ken Smith basses are expensive.
I use(d) a vintage Alembic Series I and a Custom fretless 5-string quite successfully with a newgrass/jamband. (not gigging anymore)
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Man I miss playing with those guys...![]()
Most people won't care or notice. Bass players will notice and only say, "ooh. Cool ken smith."
I did it! I knew that a bass player I loved used a smith at one time. The incredible Connor Green from Haken! He moved on to a few Zons and now plays a Dingwall custom. Very boutique pedalboard as well. FYI their new album is absolutely unreal!
I have gotten many compliments over the years for my tone, playing, etc., from audience types and others at gigs.Agree. Only comments I’ve received from non-guitar folks on an instrument is when they are paint a pretty color. No comments on tone, beautiful wood grain, or “look” that fits the genre.
I have a $6000 Veilette bass (got it in trade ironically for a Ken Smith) that I play at acoustic gigs since it's what I would call a "hybrid". Musical instruments are meant to be played, played live, and played a lot...The tone is incredible and incredibly versatile... but agreed with previous posters that 1) the finish is so delicate (especially varnish non-lacquer models) and 2) they're so expensive, that unless you have ample discretionary $$ you're too paranoid to thrash out at metal shows. I have a beautiful BSR6MW but seldom take it out of its case for those reasons, and starting to wonder the point...
I am about to get my custom Wal very soon. Bring on the sweat, dings and scratches. I will do my best but it will be going out with me. That will be more $$ than most Smiths. Security on a bass like that definitely needs to be considered but as for the rest that only adds to the instruments story. It is incredible what can be repaired but I can also respect your caution.The tone is incredible and incredibly versatile... but agreed with previous posters that 1) the finish is so delicate (especially varnish non-lacquer models) and 2) they're so expensive, that unless you have ample discretionary $$ you're too paranoid to thrash out at metal shows. I have a beautiful BSR6MW but seldom take it out of its case for those reasons, and starting to wonder the point...
Buy a P-bass .. better value for the money ..Are there any examples of any rock or metal band using a Ken Smith bass? I cant find a single one, or even anybody doing a cover of a rock or metal song who has a ken smith bass. Or are they truly that limited in the sound? Or Do the rock and metal guys just not care the basses look and or sound?
I did it! I knew that a bass player I loved used a smith at one time. The incredible Connor Green from Haken! He moved on to a few Zons and now plays a Dingwall custom. Very boutique pedalboard as well. FYI their new album is absolutely unreal!
I owned a couple of Smith’s, and I play rock, it does just fine.Are there any examples of any rock or metal band using a Ken Smith bass? I cant find a single one, or even anybody doing a cover of a rock or metal song who has a ken smith bass. Or are they truly that limited in the sound? Or Do the rock and metal guys just not care the basses look and or sound?
It can but it'll look funny doing it.