FWIW my J is my hands-down favorite.
I like how the J neck pickup goes a little deeper than a P. A good one won't get buried; it will occupy and dominate its own territory below everything else.
But there is also bite with the single coil. Even without any help from the bridge, I can get some trebly presence with a pick.
And that's just the one pickup setting. I don't use blended & bridge solo'd as often, but they are both also very relevant IME.
I think of P & J as siblings - distinct but not eons apart. With both types, I find implementation is key. It would be easy to try a so-so specimen of either & get an impression that the design isn't working.
I would take a mojo-tastic P over a "meh" J any day. But, all things being equal in terms of wood resonance & pickup quality, the J is what I really crave.
"Can I be happy with a Jazz?" Definitely YES - if you're me.
I like how the J neck pickup goes a little deeper than a P. A good one won't get buried; it will occupy and dominate its own territory below everything else.
But there is also bite with the single coil. Even without any help from the bridge, I can get some trebly presence with a pick.
And that's just the one pickup setting. I don't use blended & bridge solo'd as often, but they are both also very relevant IME.
I think of P & J as siblings - distinct but not eons apart. With both types, I find implementation is key. It would be easy to try a so-so specimen of either & get an impression that the design isn't working.
I would take a mojo-tastic P over a "meh" J any day. But, all things being equal in terms of wood resonance & pickup quality, the J is what I really crave.
"Can I be happy with a Jazz?" Definitely YES - if you're me.
