I thought it was the other way around. I found it took a NYC Sadowsky or Rob Allen MB-2 fretless to make 34 sound good to me.
Hear hear! I went from long scale to short scale (30") to what I like even more than either of those scale lengths: medium scale (32"). But short scale is a close second, and long scale, well, let's just say it eliminates GAS for a the majority of available instruments!^ This. People should start asking if long-scale basses can compete with short-scale ones...![]()
Maybe a bit of both? Fender was both first (in terms of commercial viability) and became very common.Is something the "normal" version because it's more common or because it's first?
Long scale (34") was, of course, created by Leo Fender when designing the first P-bass. I've read various reasons for how he arrived at this particular scale length, but in the end, it's a fairly arbitrary choice. And not necessarily the best choice, either, as quite a few players and some makers will attest.
I find it strange that the Fender scale length became standardized to the point where some people question anything else on any other bass, and yet many other design elements from the first electric bass have changed significantly (multiple pickups, active electronics, more strings, etc.). I mean, even Fender changed quite a few things from the first P-bass, and yet, somehow, the scale length became sacrosanct.
And what about the many other manufacturers from the same era who opted for shorter scale lengths? It's just a quirk of history that the Fender scale length became the standard and not another scale length.