My only experience with Alnico and ceramic magnets in the pickups in the same bass is with Stingray SR5s.
It's common knowledge that MM began using ceramics in the SR5s somewhere in 1991 or 92. In 2008, MM switched the SR5 back to the Alnico magnets.
(The Semantic Police love to start MM/Sterling debates over just where the ceramic pickups for the SR5 came from. Those guys can go play in the streets. I just play the things, make money and have a LOT of fun with them. This ain't the time, place, or question.....

).
SR5 users seem to definitely tell a difference in the two types of SR5 pups, as can I. For whatever reason (design, windings, wire, whatever, etc.), the ceramics are known for being brighter and punchier, even described as nasty, brittle, and edgy by some. The Alnico pups are known for a tamer, less edgy, smoother tone.
I owned 4 SR5s, all made before 2008, and I loved all of them. They had
that tone, man. That
bite. And I loved/love the 3-band preamp even though many do not. I tend to not use the onboard EQ at all, preferring to leave the preamp controls set to flat/center detent and do the EQ-ing at the amp. That way, I'm not futzing with the onboard control while I play.
My current SR5 (actually on semi-permanent loan that I hope will eventually turn into a sale!) is a 2011 with, of course, the Alnico pickups. I describe it as a more polite tone, not quote the edge, but definitely all SR5 tone all the time. And I tend to set more highs at the amp when playing this Stingray. Sounds great!
All of this is to show two examples of Alnico and ceramics in use in pretty much the same bass. Again, I don't how much the magnet material has to do with the resulting tone. My guess is that it does play a significant part
in this case....