Assuming you sell your 410 to fund a transition, There's a lot of good in that recommendation. Also, there are some 212s kicking around that will get the job done.replace your 4x10 with a matching pair of (8 ohm) 2x10s.
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Assuming you sell your 410 to fund a transition, There's a lot of good in that recommendation. Also, there are some 212s kicking around that will get the job done.replace your 4x10 with a matching pair of (8 ohm) 2x10s.
My only question was whether or not an alternate, smaller device option existed. It doesn’t.
Adding a HPF would let you get more apparent volume/output from your current rig.
@Selios - the original post in this thread posed an invalid question. What I’ve seen in this thread is people who have tried to help by educating and problem solving, which necessarily deconstructs the faulty premise. Have some patience with folks as they try to kindly steer you in the right direction. Information is being provided free of charge and intended for your benefit.
Cool, man. Hope you find a solution.I can be seen multiple times in this thread expressing my gratitude for the replies which constructively provided me information without implying that myself and the musicians I play with are of poor quality, thank you.
Cool, man. Hope you find a solution.
And you might stop back and let us know what you did. I kinda like hearing what guys end up doing. Usually it's not anything we suggested.![]()
Keep you eyes peeled for a free box to sit your 410 on and let you hear yourself.Of course! Given what I said about my budget, nothing might happen in the short term, but I’m keeping my eyes open for a few things now. Potentially a nice pair of 2x10s or a 4 ohm 2x12 like you’d suggested.
Post your EQ settings if you get a chance. What kind of bass are you playing? How do you have the EQ on the bass set up?
One more suggestion, maybe a compressor? It won't make things louder, but it might fill up the sound to make it more useable to you.
Keep you eyes peeled for a free box to sit your 410 on and let you hear yourself.
Yes, but we aren't always perceived exclusively by our better moments. I think most people on TB would agree that volume and dynamic control are an important consideration. It's not the first time this idea has surfaced, so it's not a personal suggestion. It is one of many possible solutions to the problem of being adequately heard. Also, most people on TB have a familial relationship with some of their fellow musicians, so I don't view the comments you refer to as worthy of high indignation.I can be seen multiple times in this thread expressing my gratitude for the replies which constructively provided me information without implying that myself and the musicians I play with are of poor quality, thank you.
I had a MAG rig once, and it was a great rig. I had a 4x10" combo and a 1x15" cab.An Ashdown MAG 4x10t
I used to have that cab. The only thing I recall is that it was heavy. But the comments about efficiency are all true. I also seem to recall that in general 12" speakers aren't inherently efficient. One of the least efficient cabs I had was a 12 that was 95 dB 1w@1m. Look for something over 100 dB.An Ashdown MAG 4x10t
Spreading your cabinets on opposite sides of the stage won't help your problem; actually you'll end up with reduced bottom end. This is frequency dependent on the distance between the speakers.Yes, definitely have to try this simple trick. I saw Steve Harris' solo band "British Lion" play a few months ago and he had 2 4x10s, one on each side of the stage, both sitting atop a table. Must be worth trying! Thanks