Rakie
Let me take you down, 'cause I'm going to...
I haven't picked up a stingray or musicman i liked in any way, but that doesn't mean there's anything wrong with them, it just means they aren't for me 
TalkBass has been independent since 1998. Add your voice.
Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
Join free Log in
Want zero display ads or expanded classifieds tools? Compare plans.
I'm a MM + GK user. Must have either not dialed in that tone of it's just not what you're looking for.
I love all 5 of my SR5s.
![]()
I was running all the basses I played that day out of a GK 700RB-II (same head I run out of) and the GK (i think its BSX?) series cabs...
I'm pretty sure the sound I'm thinking of is GK. Roger Manganelli (Less Than Jake), Matt Wong (Reel Big Fish), Jon Gallant (Billy Talent) all play Stingrays... Maybe it's just the way they set up the EQ... But all three of those guys have a very clear and defined high-end with a punch to their sound.
Next time I venture down there... How should I set up the EQ on the basses to get a better sound? I'm mostly a precision bass player, so I'm not used to so many choices.
One Musicman I was impressed with was the Bongo... It was rather bulky, but so was its sound!
+1. I'm not real into mids and clank.I haven't picked up a stingray or musicman i liked in any way, but that doesn't mean there's anything wrong with them, it just means they aren't for me![]()
If its anything to go by, Stingrays are one of those active basses which sound better by tweaking its onboard preamp. Definitely unlike some basses which already sound decent by leaving all EQ controls flat.
I'm not real into mids and clank.
I'm not real into mids and clank
Well, I like mids quite a bit. They help define tone and add presence. No mids makes it very hard to be heard in a live situation.
I think there is more than one way of understanding Pennydredfuls comment on 'mids and clank'. Yes setup and technique is a major issue. I only play fingerstyle, but with a typical average 3-band eq/single pickup Ray, I find I get alot of fret and finger noise and sizzle to the sound, even with the treble and mid knobs set flat and bass boosted...I mean I really hear the 'tink' when I press the string to the fret and can also hear the scrapes and overtones as my finger plucks. To me it's generally a sensitive preamp. (the 30th anniv has been my only exception, the body wood tames down the 3eq quite a bit)
I know I sound like a broken record for praising the 2 band eq, but I don't get all that sensitive noise and grit. It's a warmer-deeper sound, no extra tinks, or scrape noises. It's hard to explain, but what a difference I experience (I own both, and have owned many over the years, and will own more).
To me, Chevelle and early-Rage Against the Machine are the text-book examples of the 3eq, while Sade and Chic and even Chuck Mangione are perfect examples of the 2eq. I know there's exceptions to it all, but for me it's generally been consistant. All I can say is if you can find one, try it if the 'typical' Ray doesn't grab ya.
Now the 2-pickup StingRay's sound perfectly matched to the 3eq, but that's another subject.