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Yep, it was pretty straight ahead then. And actually, while there were sometimes bass amps in play in the studio for rock, much of the recorded bass you hear from that era is just a DI'd passive bass, hitting some tasty analog goodness in the recording and mixing process.I personally feel that classic rock tone comes from seeking the most direct connection to the amp.
I got the MOJO MOJO about 2 months ago and really like it.I’d run a tuner, a compressor and a drive into the zoom pedal. The zoom would be just for the modulation and filters. For a good grand funk type of drive, I suggest the TC Electronics Mojo Mojo.
I hear you--I have played through many SVTs over the years and determined I prefer something like a GK with what feels like a "tighter" response.Although I always felt the Ampeg kind of sound a little lose in the low compared with the Harke that it feel tight in the whole spectrum, well at least for me.
Hello, everyone. I am new here, but I am not new to playing Bass. I am starting a classic rock band with some friends. Nothing too serious like before, but we are planning to do some gigs around town. I have a Fender Precision bass and a Harke Head and cab. I haven't played in years, so to practice at home, I got a Zoom B1. But now with the band I wonder I will need something better. I used to have a Boss pedal board because I am not a fan of having many small pedals. I like simple sounds for now. We are paying Grand Funk, so I have a very thick sound with Zoom, and it sounds OK to practice, but I would like something a little more real.
Sorry for the long intro, guys; My question is, Would you recommend getting a bigger Zoom like a B2 or something similar in the multi-effect realm, with all these new 'Modelers', or should I go the route of single pedals? I think for me, it would be a compressor, something to flex my sound (EQ or pr amp), a distortion such as a Tube screamer. Maybe Chorus? or reverb? Delay? I haven't heard that on Grand Funk Bass or Deep Purple stile.
Thank for your input guys, I have been following this forum for years, Just now I decided to write. Cheers!
Classic rock?
Bass -> amp. Maybe an overdrive, ehx soul food is cheap.
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Loving my Blumes. Gigging it this weekend.I would get a good tuner and an EQD Blumes and be done with it. Keep the B1 around for playing at home and experimenting with effects. Then when you need a specific effect, you have a good starting point.
Yep, I remember back then, nobody had a tuner onstage with them. In my first bands we had what I would now call "vintage tuning"I have been playing classic rock for over 50 years and have never used a pedal. Even my tuner is used offline before starting.
Guitar into cord into amp, same as my mentors.
Just plug your bass into your amp, and play. You've already got the perfect tone for what you're playing.Hello, everyone. I am new here, but I am not new to playing Bass. I am starting a classic rock band with some friends. Nothing too serious like before, but we are planning to do some gigs around town. I have a Fender Precision bass and a Harke Head and cab. I haven't played in years, so to practice at home, I got a Zoom B1. But now with the band I wonder I will need something better. I used to have a Boss pedal board because I am not a fan of having many small pedals. I like simple sounds for now. We are paying Grand Funk, so I have a very thick sound with Zoom, and it sounds OK to practice, but I would like something a little more real.
Sorry for the long intro, guys; My question is, Would you recommend getting a bigger Zoom like a B2 or something similar in the multi-effect realm, with all these new 'Modelers', or should I go the route of single pedals? I think for me, it would be a compressor, something to flex my sound (EQ or pr amp), a distortion such as a Tube screamer. Maybe Chorus? or reverb? Delay? I haven't heard that on Grand Funk Bass or Deep Purple stile.
Thank for your input guys, I have been following this forum for years, Just now I decided to write. Cheers!
+ 1 if you haven't you can try flats + changing the technique (fingers, pick etc) and change the position of the hand.The only thing I can add to the "bass --> amp" equation is I have fallen in love with flats for classic rock (and country) in the last couple years. And this coming from a life-long round wound player.