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Clean "blues" strings

A clean sound for blues will mean different things to different people. Heck, blues means different things to different people.
Modern blues, vintage blues, jump blues, etc, etc.....
Just aim for a sound you like. Unfortunately, finding a sound you like may involve the purchase of several sets of strings... c'est la vie.
 
I've heard a tone that would rock for clean blues.

At my synagogue we'll often have a bassist from the congregation play along with the pianist. He uses a Jazz bass with what I believe to be TI flats, the roundcore ones. It sounds so smooth, buttery even. I would imagine that set up would give you the tone you're after.

Cheers!
 
I've heard a tone that would rock for clean blues.

At my synagogue we'll often have a bassist from the congregation play along with the pianist. He uses a Jazz bass with what I believe to be TI flats, the roundcore ones. It sounds so smooth, buttery even. I would imagine that set up would give you the tone you're after.

Cheers!

I second the TI Flats recommendation. They sound wonderful on a Jazz Bass for Blues. Buttery is a good adjective.
 
TI Jazz Flats will set you back about $50 but they are well worth it, and they will last a very long time. They feel great, nice and soft, low tension.

The DR Hellborgs are very solid and punchy, hype is that they push the fundamental of the note. They are very different feeling, with the single wrap outer, but they sit in the mix just right. Not an expensive set, but only for four string basses.

I was very happy with the TI flats, but the Hellborgs won me over. 1/2 the price of TI's.
 
As previously mentioned, there will be many different ideas about "ideal" strings for blues. If you're talking classic blues, I agree that you probably want a set of flats.

Regarding XLs, I also chucked the (long dead) stock taperwounds that were on my '08 MIA Jazz and put on a set of .45-.105 XLs. Give them at least a couple of weeks to settle in and lose some of the top end. I hated them at first (too bright and felt like all the low end was gone) but after they lost some of their "zing" they began to sound kinda nice. I've had them on about a month now, and like them enough to keep them. Also, if you decide to go flats and try out D'Addario Chromes, be aware that you will have to top-load them through your bridge due to the length of the silk wraps.
 
I've been playing blues off and on for about 40 years. I have Sadowsky flats (on it when I got the bass) on my semi-hollow, Dark-Starred Ibanez; Chromes (flats) on my fretless 2-TEK Hamer (Jazz clone) and my CV 50's P-Bass; and Fender 9050's (flats) on my MIM Classic 50's P-Bass and my Fender clone PJ. Obviously, as far as I'm concerned flats rule for playing blues. I like Chromes on Jazz Basses and and 9050's on split coil P-Basses.