This is an odd post to make, but here goes.
On Steely Dan's last album, Everything Must Go, you can hear some crisply-recorded Sadowsky tones. It's a very clean-sounding record (almost cold and efficiently mixed) and Becker is a bit of a rote-bassist, or bassist-by numbers who lacks feel and innate groove (cf Rainey's stuff on Aja etc).
But it's mixed with clarity. You get a good sense of how the Sad. blends in nicely with the whole. Becker plays with a pick (to my ears) and plays like a guitarist doubling on bass ... you know, there's a lightness of touch and no dirt/groove (like when the guitarist picks up your bass and tries to show some line).
But it's all hifi stuff.
The album itself is also pretty light and lounge-y, but like all Dan stuff it's such a clear mix. Worth listening to once for the basstones.
reens
On Steely Dan's last album, Everything Must Go, you can hear some crisply-recorded Sadowsky tones. It's a very clean-sounding record (almost cold and efficiently mixed) and Becker is a bit of a rote-bassist, or bassist-by numbers who lacks feel and innate groove (cf Rainey's stuff on Aja etc).
But it's mixed with clarity. You get a good sense of how the Sad. blends in nicely with the whole. Becker plays with a pick (to my ears) and plays like a guitarist doubling on bass ... you know, there's a lightness of touch and no dirt/groove (like when the guitarist picks up your bass and tries to show some line).
But it's all hifi stuff.
The album itself is also pretty light and lounge-y, but like all Dan stuff it's such a clear mix. Worth listening to once for the basstones.
reens