• TalkBass has been independent since 1998. Add your voice.
    Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
    Join freeLog in
    Want zero display ads or expanded classifieds tools? Compare plans.

Club Bordwell Part 4

I hope you don't mind I stole your idea (and your image). Ebony top and birdseye board is what I was thinking for a fretless

View attachment 7370159

This one went through a few iterations which is why it looks like a trip 😅 was trying to get it to put a soapbar closer to the bridge

View attachment 7370161
Dig it - we need more white pickup CBs, mine is lonely.
 
  • Like
Reactions: scottm
Couple new pics in addition to an old pic of the top. A little late posting. Got these from Cliff last week. Super excited to see it coming along. Not sure how long he normally takes on his builds, can't get this one in my hands soon enough though.
 

Attachments

  • 4999768317506399167.jpeg
    4999768317506399167.jpeg
    1.2 MB · Views: 17
  • 1498267285027142614.jpeg
    1498267285027142614.jpeg
    1.3 MB · Views: 18
  • 2940582945333439761.jpeg
    2940582945333439761.jpeg
    1.9 MB · Views: 16
Can anyone recommend someone that builds ramps for basses?

Thanks.


-ScottM
 
  • Like
Reactions: scottm
I put La Bella RX nickels on this and man it just sings. TI jazz rounds were awesome but I think fresh strings are more important so better to have something I can buy more regularly.

Since today's the day that it is … I am so freakin thankful I got this built. It's absolutely perfect for me

View attachment 7377387
I have always had Cliff's old headstock and logo, but this smaller headstock looks PERFECT with the singlecut shape! I wonder if he could do the larger CB on the smaller headstock on my upcoming singlecut olive/spalted maple/Spanish Cedar/rosewood bass?

Also, I have a set of custom Kent Armstrong pickups on order for a Shawn May bass. I am going to see if they might also be a good fit for the Bordwell. Cliff hasn't used Armstrong pickups in a long time, so this will be new territory with the interaction between the Armstrongs and the Trickfish preamp.

The top on your bass is BREATHTAKING! So, so perfectly executed...what electronics do you have in yours?
 
  • Like
Reactions: nonohmic and scottm
I have always had Cliff's old headstock and logo, but this smaller headstock looks PERFECT with the singlecut shape! I wonder if he could do the larger CB on the smaller headstock on my upcoming singlecut olive/spalted maple/Spanish Cedar/rosewood bass?

Also, I have a set of custom Kent Armstrong pickups on order for a Shawn May bass. I am going to see if they might also be a good fit for the Bordwell. Cliff hasn't used Armstrong pickups in a long time, so this will be new territory with the interaction between the Armstrongs and the Trickfish preamp.

The top on your bass is BREATHTAKING! So, so perfectly executed...what electronics do you have in yours?

Yeah I think the 'B' headstock suits the single cuts a little more. His normal one kills on the scroll basses though.

No electronics, just big rigs and switches for series/parallel/single. All passive. Pretty much always run it with the bridge in parallel and the neck pickup in series. With the blend forward or back a bit depending on the mood.
 
Yeah I think the 'B' headstock suits the single cuts a little more. His normal one kills on the scroll basses though.

No electronics, just big rigs and switches for series/parallel/single. All passive. Pretty much always run it with the bridge in parallel and the neck pickup in series. With the blend forward or back a bit depending on the mood.
Nice! Passive and switching opens up a whole new menu of flavors! So useful and musical, especially when using the passive tone.

I run mine bridge in either single coil or series, and the neck pickup to single, eq flat if possible or passive. Bridge series and neck single is a trick Brady Muckelroy showed me for sitting in the mix perfectly...and he was right! Give it a shot and see if it works for you with your bass.
 
  • Like
Reactions: scottm and nonohmic
I have always had Cliff's old headstock and logo, but this smaller headstock looks PERFECT with the singlecut shape! I wonder if he could do the larger CB on the smaller headstock on my upcoming singlecut olive/spalted maple/Spanish Cedar/rosewood bass?

Also, I have a set of custom Kent Armstrong pickups on order for a Shawn May bass. I am going to see if they might also be a good fit for the Bordwell. Cliff hasn't used Armstrong pickups in a long time, so this will be new territory with the interaction between the Armstrongs and the Trickfish preamp.

The top on your bass is BREATHTAKING! So, so perfectly executed...what electronics do you have in yours?

Oh yeah and the top! Not what I started out wanting but it turned out to be a real winner. Flame mango. With a perfect little blond 'control plate' for the switches and jack. Pure coincidence.
 
  • Like
Reactions: LowWay and scottm
Nice! Passive and switching opens up a whole new menu of flavors! So useful and musical, especially when using the passive tone.

I run mine bridge in either single coil or series, and the neck pickup to single, eq flat if possible or passive. Bridge series and neck single is a trick Brady Muckelroy showed me for sitting in the mix perfectly...and he was right! Give it a shot and see if it works for you with your bass.

Oh yeah good call. I've mostly been using parallel cause of the output bump which drives my gain pedal. But i should try series too.
 
  • Like
Reactions: scottm
It must be fingerboard day around here. I like how he put the luminlay on the thin line beneath the fingerboard. He came up with the idea when he saw that the entire side of the fingerboard is blonde. We weren't sure how it was gonna look until he cut it. Had I known it would have looked like this (there was a full length Pic I posted a few days ago), I would have had an inlay of a sun, because the entire thing looks like a mountain range
5210942484818769789.jpeg
9045114839057709194.jpeg
 
Last edited: