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Burl Maple????.... That's where I go to first![]()
Keep in mind that Roger's stated reason for including the graphite rods is to help reduce the likelihood of dead spots and not because the necks need added stability. I really wouldn't worry.Quick question for the Sadowsky heads- I'm considering ordering either a custom Metro or a Lull TC5/M5V. The only thing that "concerns" me about Metro's is the lake of graphite reinforcing bars in them. Even my Lakland Skylines (DJ5/55-02) have them. Why would they not be considered standard?
Thanks everyone.
Quick question for the Sadowsky heads- I'm considering ordering either a custom Metro or a Lull TC5/M5V. The only thing that "concerns" me about Metro's is the lake of graphite reinforcing bars in them.
Here we are!!
Does Roger even do custom Metros? I was under the impression they were 'off the rack' only.
Anyhoo, I've owned 2 Metro Will Lees (MV4 & RV4). Never had a problem with an unstable neck due to lack of a graphite bar. I have to tweak the neck no more frequently than I do my American Fender P (w/ the graphite). Roger has commented on the use of graphite, or lack thereof, on his NYC vs. Metro basses, and neck stability isn't the reason.
Does Roger even do custom Metros? I was under the impression they were 'off the rack' only.
Quick question for the Sadowsky heads- I'm considering ordering either a custom Metro or a Lull TC5/M5V. The only thing that "concerns" me about Metro's is the lake of graphite reinforcing bars in them. Even my Lakland Skylines (DJ5/55-02) have them. Why would they not be considered standard?
Thanks everyone.
Time for a new thread?
MV4, looks great.
Thanks! Picture quality is of course not great... I will take some better ones today(probably not post any unless its a new thread as you guys have all seen enough MV4's). Suffice to say after a session last night I am again amazed at how stupid good these basses sound in a mix. On its own sounds like a good jazz bass, in a mix FAT tone that sits just perfectly.
What are the impressions of those who have played an ash/rosewood (Pau Ferro) combination?
What are the impressions of those who have played an ash/rosewood (Pau Ferro) combination?