I was bored so I put a set of DR Black Beauties on the MV5. They don’t look out of place, but I still need to break them in before I judge them sonically. The B is great though!
Any update on how these sound? I've never used them before.
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I was bored so I put a set of DR Black Beauties on the MV5. They don’t look out of place, but I still need to break them in before I judge them sonically. The B is great though!
We all did our parts from our separate homes. We played to a backing track as a guide and recorded our parts and video. I used my iPad as one camera, and MacBook for the other camera, while recording the Bass into GarageBand. Then uploaded our individual files to Dropbox. Our keyboard player mixed the audio in Logic Audio, and edited it all together in Final Cut Pro.
The singer did all the backing vocals himself so those were overdubs.
Any update on how these sound? I've never used them before.
Update: I have DR Pure Blues (45-130) on now, and they’re awesome! The GHS Round Core Boomers were good, but not quite what I was looking for. I still have a few others I can try, but the DR Pure Blues sound and feel so good, I’m gonna keep them on until they need changing.
Excellent info, thank you! IIRC, the last audio/video I saw which yours reminded me of in format, was also Final Cut Pro for post production, so that makes sense. I appreciate the reply!
I carry my RNDI to every church I play for.I recently got a RNDI to use with my FOH and IEM gigs and I'm very impressed. Those Di's are worth every penny and makes everything sound better.
Had BBs on my Sadowsky (very similar to yours) for years now!I was bored so I put a set of DR Black Beauties on the MV5. They don’t look out of place, but I still need to break them in before I judge them sonically. The B is great though!
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That's my case too. I tried twice in the past but didn't keep them for more than a few hours. I love the Sadowsky black label flats though I know I'll have to try the Blues when I run out of them.I just can't get back into roundwounds after playing flats for so many years. I miss the initial transient. The Fender flats sound stellar on this bass with a Sadowsky Black Label flatwound B. Not sure where I'll find another one of these...
I give you six months and all yer gear will be changed!I just can't get back into roundwounds after playing flats for so many years. I miss the initial transient. The Fender flats sound stellar on this bass with a Sadowsky Black Label flatwound B. Not sure where I'll find another one of these...
I don't get to use my RNDI as much as I'd like at all; thing sounds great.I carry my RNDI to every church I play for.
I don't get to use my RNDI as much as I'd like at all; thing sounds great.
Another string question...
Who here has A/B'd the Black Label Steels against the DR Lo-Rider Steels?
+1It's been a while since I played the Black Label Sadowsky rounds, but I tried them once to see how they stack up against my decades-long favorite, the DR Lo-Riders. As I recall, the Sadowsky set was not bad, but lacked some of the punch and string life that I like in the DRs. It has been a while, though, so I can't give a really good, in-depth A/B comparison.
And for the record, my favorite flats BY FAR are the Sadowsky Blue Labels! Between those and DRs for round wounds, I don't often feel the need to branch out.
Made this with my new Sadowsky.
Made this with my new Sadowsky.