I tuned my Sandberg to E flat and recorded Panama:
Sounds huge !!
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I tuned my Sandberg to E flat and recorded Panama:
I tuned my Sandberg to E flat and recorded Panama:
I never run the humbucker by itself but blended with P pickup it sounds good. Hi fi sound is right up my alley!I used to have one of those Oliver sig basses but sold it. I really loved the front pickup but found the back pickup useless and too tinny/clicky. It's definitely a modern, hi fi sound and not vintage at all. It looks great tho. I just prefer P basses or a Rickenbacker.
Agree, I think the humbucker is there to fatten up the sound of the neck pickup. I'd never use it on its own.I never run the humbucker by itself but blended with P pickup it sounds good. Hi fi sound is right up my alley!
Just seemed a lot of money for really no use of a music man style humbucker. I get the appeal tho.
Although similar in appearance, the humbucker pickup isn't voiced the same and not in the correct position for it to cop the musicman vibe. I've always thought of it being the fattest rear jazz pickup you could have. Also, I've found a lot of useful tones with the blend control slightly in between. So not fully dimmed to one pickup or the other but just a bit off of center in either direction revealed some nice, useful options.Just seemed a lot of money for really no use of a music man style humbucker. I get the appeal tho.
Yes, I never think about it as "I've got a P-bass at one end and a Stingray at the other" but rather just two very useable individual pickups/tones, a great 50/50 sound and a range of nice flavours in between. I like your description of the HB being like the fattest Jazz bridge pickup. I feel like mine has got a bit more clout and punch than that but it's a good soundbite description - stock pickups and two band EQ and all. I've still got lots to explore on the bass but I tend to think of it as bridge as a rocky, punchy tone; bridge as a rounder utility tone; plus I find myself using 50/50 blend a lot more as a mellow but still distinct sound - a lot more than expected. Never been a fan of JB 50/50 scooped tones but the mix of reverse P and HB really seems to have more weight and works just right for me.Although similar in appearance, the humbucker pickup isn't voiced the same and not in the correct position for it to cop the musicman vibe. I've always thought of it being the fattest rear jazz pickup you could have. Also, I've found a lot of useful tones with the blend control slightly in between. So not fully dimmed to one pickup or the other but just a bit off of center in either direction revealed some nice, useful options.
Care to elaborate? Price hike?Boy am I glad I bought my Sandberg in December.
Yesterday US announced 20% tariffs on goods from EU.Care to elaborate? Price hike?
Looks like I am back in the Sandberg club. Got my Oliver Riedel Sig today. Compared to my last one it has an updated, better quality gigbag with thicker padding so that's good.
Little tiny speck on back of the neck tho, could I file that down maybe or use a very light sandpaper? It's a speck but you feel it running your hand down the neck.

How much did you roughly have to pay? above the 2k mark?Boy am I glad I bought my Sandberg in December.
My TT short scale, alder body, 'soft aged', pau ferro fretboard, white dots, was about US$ 1700, plus shipping, from Thomann. Pricing for Sandberg Lionels from US dealers looked to be about $2K at the time...and at the time no US dealer had a TT short at all. There has always been a small duty on items over $800, which I expected to be something around $80 on my bass, but for some reason US Customs didn't assess that on my bass. The announced tariffs, when they go into effect, would be in addition to the regular duty--I think--raising the price of that bass by $350 or so.How much did you roughly have to pay? above the 2k mark?