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I didn't really have my heart set on flamed redwood, I mostly just had that red-brownish color in mind. I think this piece is really awesome and unique, it's just so different from what I had in mind that I need to kind of wrap my mind around it.
After the first one I'd gotten comfortable waiting for my second Stammie - until Chris started sending me pictures.
This one's going to be very similar to my first bass
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But this one will be fretless, with a bubinga body, a wenge/zebrawood/flamed maple set neck, EMGs, a fretless Mac Ebony fingerboard (with subtle inlaid lines and an cyanoacrylate coating) and a zebrawood top with mac ebony "pickguard"
Chris sent me pics of both top woods. The ebony isn't wet down so it's a lot lighter than it will end up.
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Oh, and keeping with the theme from the last bass, the MOP inlay on this one will look like this:
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Chris originally said October, and with the neck already done it shouldn't be too far past that. Before Christmas I'd think.
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Wow!...more fantastic woods. He knows how and where to find them. And even better...he crafts them like no other.
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