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is Step #3 a common thing?...or required....I do 1&2 and neater/parallel wraps than #4...anyone else do step 3?.
Yes, they are as smooth as Chromes. I've used Chromes and like them but the EB Cobalts are my favorites now. Had them on my Jazz bass for about 2 months. The tension I would describe as supple. Nice on the fingers and stiff enough for playing with a pick.How smooth are Cobalt flats? Are they as smooth as Chromes?
My wraps, I'll admit, look like crap, but I've had no tuning issues with the EB Cobalts. As a matter of fact, they stay in tune so well that I've taken notice of it.I cut mine, enough to leave 3 complete rounds on the e,a,d,g tuner posts and 2 rounds on the b post - I play a 5 string. Any more wraps around the post and it'll look like crap and you'll have tuning issues.
I meant there will be tuning issues if he over wraps the wire onto the tuning peg.. any more that 3 rounds onto the peg is more than enoughMy wraps, I'll admit, look like crap, but I've had no tuning issues with the EB Cobalts. As a matter of fact, they stay in tune so well that I've taken notice to it.
No offense taken. The op asked me to upload pics of my tuning pegs with the full wraps and, it's not a pretty sight.I meant there will be tuning issues if he over wraps the wire onto the tuning peg.. any more that 3 rounds onto the peg is more than enough
Just curious what EB isn't doing that every other flat maker seems to be to have to require such an untraditional stringing method at the peghead?
I presume it's because it's a flat wrap over a thinner round wound string rather than flat wraps over an underlying layer of flat wraps meaning an increased chance of unwinding?
Interesting. I had asked back in one of the earlier threads if there was anything like that that set them apart construction wise, but nobody seemed to know at the time. Doesn't GHS do this (ribbon over round) with certain gauges on their Precision Flats? I may be wrong, but I think their low E and B are made this way.