- Feb 12, 2006
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- Disclosures
- Development Engineer-Mesa Boogie, Development Engineer-Genzler (pedals), Product Support-Genz Benz
I think I've determined that for basic sealed and ported cabs (did not study any others), the frequency response, phase response, and group delay curves are all joined at the hip, below about 250 Hz. Two speakers with the same frequency response will have the same group delay, and vice versa. And you can't have a sealed cab with the same group delay as a ported cab.
My proof, for anybody who enjoys math: Invalid Link Removed
Agreed, sealed boxes will tend to have similar shaped group delays and ported boxes will have similar shaped group delays. Group delays will tend to be quite different between a family of sealed boxes and a family of ported boxes.
Where the differences show up is in the raw frequency response of the sealed boxes (since there are limited other parameters to alter in practice". In ported boxes, the group delay will differ based on the tuning of the system... both the frequency response as well as the damping of the response. In theory, the response of a ported box follows the filter equations of a high pass filter, and the filter can be over damped, critically damped, or under damped. The phase response changes significantly with damping (or filter Q). The easiest way to visualize the phase response is to generate a bode plot of the equiv. filters, then overlay the two plots corresponding to the different tunings and compare phase plots.
[rant on] As electrical engineers, we work with this same (basic) concept in great detail when designing power amplifiers, as the phase response is an important part of defining the phase margin under various global feedback conditions. Without understanding the concept of phase margin, which combined with loop gain, is the basis the Nyquist Stability Criteria analysis to insure that an amplifier (or control system) remains stable throughout it's operating range. This is the sort of stuff that real engineers deal with on a daily basis of course, and understanding the analogy between filter math and speaker math really helps when designing a line of speakers that play well together. Way too many "speaker designers" (armchair and otherwise) do not have the background to understand and apply these principles to their work, so it's just easier for them to say that combining different speaker sizes can't work well rather than doing the math (and it is a lot of work) to insure that they do work together by design. [/rant off]