I second Quicksilver, Moby Grape, The Tubes (yes, I am originally from the SF area). But my all time fave, with or without his band The Rumour. 40 years later, he still makes really good records.
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Afghan Whigs. So good, but when the grunge craze took shape it didn’t leave a lot of room for well-dressed, short haired bands with heavy soul influences.
The Who, well Pete, owe The Kinks a lot from when they were just getting off the ground and moving past R’n’B covers. ‘I Can’t Explain’ was modeled on ‘All Of The Day...”, plus they had the same producer. When The Kinks got away from the riff styled tunes, Ray blossomed as a keen observer of human behavior and situations, as did their music itself. ‘Days’, ‘Sunny Afternoon’, ‘Dead End Street’, ‘Waterloo Sunset’, not huge hits, but it doesn’t matter.
I always thought Savatage should have been a lot bigger. If you have never heard of them, don't let the name throw you off.
Love me some Cracker.Cracker / Eels / Pavement / They Might Be Giants
All have a good following, but not as commercially successful as I thought they could have been.
Pharmaceutical Bandits (RX Bandits now). They probably would have been huge if thier singer had some singing lessons. He's the only weak link in the group.There are bands that I love, that are just never going to be commercially successful (I'm looking at you obscure instrumental prog & djent), but there are bands that I just don't get why they never made it big.
King's X
I've been reading the King's X Oral History book and pretty much all the musicians in the book, (which are really respected names), are equally confused as to why they never became huge arena filling headliners. Amazing talent, great songs, all that.
Who else should have made it big that didn't?
I was gonna say that about Little Feat. “Waiting for Columbus” was hugely popular. And still is. At least down hear anyway.How are you judging commercial success? A lot of these bands sold tons of records.