Another vote for not having the Yin-Yang. As for the designs, I'd have to see it with all the hardware in place but I like the white claws on the neck.
FWIW,
~Mark
FWIW,
~Mark
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I have 50+ basses and I play for fun and this will be an unusual addition to my bass family..there will be some adjustments..thanks for the input !!!Will this instrument be played in public? Because, seriously, people will judge your music and group before you play a note with those kind of graphics... If that doesn't matter to you, go for it, but the dragon/yin-yang are both symbols that are veeeeeery overused and have really become signifiers for pedestrian aesthetics/pseudo-mysticism. I'm not saying this to be mean or judge, but as a warning that most people won't take someone seriously who is playing an instrument like that, including many other musicians. If that doesn't matter to you, go for it.
the yingyang may move and part of the tail may replace it and continue up the fretboard...thanks...I gotta go with "none of the above". Friends don't let friends hit fat chicks. Heh.
If I had to pick, I'd go with #5, but the tail just appears out of nowhere on the fretboard.
I like this body style and neck for this project !!!I find all three designs much too ornate. They kind of spell wyvern breath. But if you're absolutely going to have a dragon on there, don't make it look like it dropped some claws (or are those teeth?) along the fretboard. The yin-yang symbol is too big anyway, so why not have it as a 12th fret marker and then split it up, with yins going down and yangs going up? That would be nicely symbolic and would clean up the design some.
Good suggestion !!!
Edit: I do think the T-bird headstock sits pretty well with the Explorer body for this kind of project, even if Ray Dietrich would probably have nixed it.

A little over the top for me.