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David Hungates best basslines???

I think Hungate is a terrific bassist and musician. Toto was based on musical virtuosity as opposed to lots of stage antics and recording gimmicks. Hungate reminds me a bit of Joe Osborn with his (not quite to Osborn levels) significant studio resume in a variety of genres...not even counting his stint with Toto and his television work. My question would be, in the opinion of TB posters, what is Hungates best work in the rock/pop genres??? I love the tech skill he displayed on the Jamerson memorial CD in his re-creation of Jamersons bassline on Home Cookin.
 
SoCal1 said:
Hungate did the Grease soundtrack and that is a kickin bassline. Musta used clicks on that track for a rock steady tempo like that.

It was actually Max Bennett. Hungate was on that album, just not that song AFAIK. There were a few different bassist on the soundtrack, including Mike Porcaro.
 
what is Hungates best work in the rock/pop genres???
Off the top of my head-
The OUTRO to "99"
"Mr. Briefcase" from Lee Ritenour's Rit album. He has some slap/pop chops, too.
An aside: Every time "Mr. Briefcase" is mentioned...many will say it's Louis Johnson. Johnson is also on Rit. I have the LP & the players for each tune are credited. Hungate is listed for "Mr. Briefcase".

I love the tech skill he displayed on the Jamerson memorial CD in his re-creation of Jamersons bassline on Home Cookin.
Yeah...that waa eye-poppin' when I first heard his take.
 
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...there's some nice double-stops (overdubbed as we all found out later) during that descending chromatic interlude.
From the same album-
"Harbor Lights" is tasty.

+1,
Harbor Lights is a master class in the use of double stops!
The whole Silk Degrees album has some of the tastiest bass playing in pop music, there's not a wasted note on the whole album, a perfect example of playing for the song bass-craft.:cool:
 
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David Hungate is certainly the world's funkiest son of a Congressman/Federal Judge.:)
 
I think the first time I ever saw his name was when I checked the "Silk Degrees" liner notes to see who played bass on "Lowdown." I remember it as one of the first examples of popping on a major pop (not funk or disco) radio hit. I think it was a "gateway" popping song for a lot of cover band bassists.
It might not be difficult to play, but I think it's iconic.
 
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I think the first time I ever saw his name was when I checked the "Silk Degrees" liner notes to see who played bass on "Lowdown." I remember it as one of the first examples of popping on a major pop (not funk or disco) radio hit. I think it was a "gateway" popping song for a lot of cover band bassists.
It might not be difficult to play, but I think it's iconic.
that's the way it was for me. i was in a supper club band ( identical trousers, gold vests ) and that track was #1 with a bullet.
 
I think the first time I ever saw his name was when I checked the "Silk Degrees" liner notes to see who played bass on "Lowdown." I remember it as one of the first examples of popping on a major pop (not funk or disco) radio hit. I think it was a "gateway" popping song for a lot of cover band bassists.
It might not be difficult to play, but I think it's iconic.

The thing about the pop on Lowdown is that it is perfect. It is not overdone, and that is what makes it stand out so much.
 
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