Now? Always…it's still copyright/publishing.
I had the acquaintance of a guy named Harold Budd, a piano player in the Lenny Tristano mold who didn't persue a jazz path, but instead developed the concept of 'ambient' music…etherial, abstract, spacy tone poems(but not "new age", he hated that tag). Brian Eno picked up on that, and did a number of collaborative albums with him, giving Harold greater exposure, but this is still all on a niche/cult level. Eno, while producing U2's Joshua Tree album, used a sample of his work, and Harold made more money off of that than his own recordings. He went on to work with a number of people that make up a big chunk of my music collection, David Sylvian, XTC's Andy Partridge, Bill Nelson, Jah Wobble, John Foxx from Ultravox, the Cocteau Twins and others; not exactly household names, but quite a collection of work nonetheless. Still, it was U2 that paid the bills(my wife, a harpist, played on one of his last albums, Candylion). It just blows my mind that I got to know him(he actually lived, part time, in the town of Joshua Tree, just down the road). He was great to hang out with, and I miss him(he died due to Covid complications).