Whats up guys,
So I'm going to start playing gigs with P.A. support since my band is getting time at bigger venues and etc.
I'm running a LMII and an Avatar 410. Many of you know that the LMII has a DI, but it seems to also have issues with mismatched impedance, resulting in a thin, brittle sound coming out of the PA. (Several LMII owners have noted this).
I love the LMII when its going into the cab, but I'm in the market for an external DI so I can run to the PA effectively.
Here's my question:
Do I run my instrument to the DI, then xlr out to the FOH, and thru to the amp, or can I plug directly into the amp, and then place the DI to receive a signal from "tuner out" or "effect send"?
I figure a DI such as the Radial ProDI won't really color the sound, so I guess I'll be safe putting it before the amp, but I'm not really knowledgeable about DI use, so I could use some advice.
Thanks,
Joash
So I'm going to start playing gigs with P.A. support since my band is getting time at bigger venues and etc.
I'm running a LMII and an Avatar 410. Many of you know that the LMII has a DI, but it seems to also have issues with mismatched impedance, resulting in a thin, brittle sound coming out of the PA. (Several LMII owners have noted this).
I love the LMII when its going into the cab, but I'm in the market for an external DI so I can run to the PA effectively.
Here's my question:
Do I run my instrument to the DI, then xlr out to the FOH, and thru to the amp, or can I plug directly into the amp, and then place the DI to receive a signal from "tuner out" or "effect send"?
I figure a DI such as the Radial ProDI won't really color the sound, so I guess I'll be safe putting it before the amp, but I'm not really knowledgeable about DI use, so I could use some advice.
Thanks,
Joash