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Different color B string to help visually?

Anyone done this? I prefer 4 strings, but I'm in a cover band, and that means needing to use a 5 for 30% of the songs, and I hate all the switching back and forth...anyway, I've committed to only a 5er for gigs. No problem, but I'm thinking a black B string, or gold, or something other than silver might be a cool way to aid in playing like I'm on a 4.

Anyone done this?
 
Anyone done this? I prefer 4 strings, but I'm in a cover band, and that means needing to use a 5 for 30% of the songs, and I hate all the switching back and forth...anyway, I've committed to only a 5er for gigs. No problem, but I'm thinking a black B string, or gold, or something other than silver might be a cool way to aid in playing like I'm on a 4.

Anyone done this?

That's not a bad idea actually. At least, for someone like me, who had a lot of trouble adapting (and eventually gave up and went back to 4 :().

Once I'd started playing a song, I was generally OK, but if I had to lead off I would often forget what that the "F" (for instance) was actually a low "C" and I'd throw the others off by playing in the wrong key :p.

So, a visual clue like a black string could really help. It's better than the alternative suggested by a former band member, which was an electrified B string, which would give me 240v straight through the fingers unless he'd given me express permission to play on it :D.

(OK, I made that last bit up, but that's what was going through his mind, I'm sure ;)).
 
this is kinda off topic i guess but why commit to playing either/or when you can just have both? I go back and forth between my 4 strings and my 6er because I like them both for different things and i'm about equally comfortable on both.

On topic: I guess it would depend on how often you look at your fretboard. If you look at it a lot a different string color could help but if you don't it might become annoying that your B string has different timbre and touch than your other strings. It's definitely not a bad idea to try it out first before you take it into a live situation to see how it would work for you.
 
When I look down, the B string blocks all the other strings.... so a different coloured string wouldn't help me. But a different coloured B will be noticeable to the audience. Which could be a good thing or not.

OT: One interesting thing is how many bassists on TB play 5s, and I have yet to see one played live. But I have met two bassists who play 5s, so it will happen some day.
 
One of my Millennium 5s I bought right here on tb, came with dark gray Will Lee strings of some sort. They are real dull nickel gray...compared to my Cirrus strings I normally use...I think I'll replace just the 4 with my Cirrus strings, and try that. I don't look at the strings that much either, but in the heat of battle, like when you didn't practice quite as much as you hoped, and haven't played some songs in weeks, right on stage, when that panic strikes, you know it, "oh crap, which note is it again?"...the B gets comfuzing.

I do that much more on my 5's than my 4.

I'll give it a shot. It's a cheap experiment. My 4 string is so broken in, that I can't imagine getting rid of it, even though I need and want only 2 basses. I have 2 identical 5 strings, and one 4. So, I really have to go all 5ers, or a mixture. Another issue is my 4 string, the Cirrus, has a much longer neck, at least visually. All basses say they are 35" scale, but there is a noticeable difference between the two models of basses. It's a big enough difference where after a long time with the Millenniums, the frets feel like they are in a totally different spot on the Cirrus. The A on the E string, is about 1.5" farther away on the cirrus. So my hand naturally floats to where the note should be, but it's a fret off. I guess I'm getting old and my brain doesn't like change anymore.

Sorry for the rant.
 
I had a 5-string Rockbass Corvette but I sold it and bought my Iceman. I had it for 1,5 years but I never got used to it. The neck felt fine to me and everything was seemingly ok but it just never felt the right thing. In the songs I play most things happen on Db string (we play in drop-Db) so the 5th string (Ab :cool:) was just on the way when I try to hit the Db string while banging my head :cool: So for me the 5th string was more limiting than extending my expression.
 
For me it turned out to be string spacing when I made the change to a 5'er. My problem wasn't confusing the B for the E but rather the A for the D. It was an Ibanez and the string spacing was silly-tight. Once I got a Music Man everything felt right.

Betcha never thought a MM would feel like wide spacing,huh?:)
 
For me it turned out to be string spacing when I made the change to a 5'er. My problem wasn't confusing the B for the E but rather the A for the D.

Exactly the same thing here. But I already play G&L fiver so the string spacing is similar to MM (17.5mm)... Maybe I have to try a 19mm-er? Or I will just get used to G&L spacing?
[NB: I do not slap, just fingerstyle with ocasional pick]
 
I was a little lost my first 5er gig...but I managed...now I'm quite at home...

as far as switching back to a 4, I have no problem...

I simply changed my "string thought" around...I used to work from the top string (E or B depending on instrument) down to the G...now I work my string thought from the E string, period.

As I continue to play the 5 more (only been playing one since may) the more I find that I use the 5er up neck, but still anchor my progression thoughts more around the E.
 

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