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Post makes great cereal.
I swear I'm the only normal person I know on TalkBass. You don't know how frightening that is.
My main bass is a Custom Shop 59 RI P. It came originally with a gold anodized guard.
I've been playing it with a 62RI Tort guard installed, and it sounds amazing. The best tone I've ever heard on any of my basses. Recently, I decided to put the gold guard back on. I played a few gigs with it, and didn't think much of it, except that I noticed the bass wasn't sounding as good as I remembered. I originally thought it was the head I was using, or maybe the strings were getting old.
After the 3rd gig, it hit me that the bass hadn't sounded good since I swapped the pickguards. The next day, I put the tort guard back on, and Bam, there it was again!
I've never even thought that the pickguard material may change the tone. But I wasn't getting as much of a thump, or even sound up the neck with the metal guard on. Maybe the metal reflects the frequencies a little different. Who knows?
Is this a common known thing and I'm just late to the game realizing this? It may very well just be this particular bass, as I've had many gold guard P Basses in the past. But I may have noticed a difference on the others too if I had changed out the guard.
Anyone else ever experienced this?
I'm hip, man!!! Grape Nuts is the $h*t!
I once dyed mine purple but they didn't taste ANYTHING like Post's version!
My main bass is a Custom Shop 59 RI P. It came originally with a gold anodized guard.
I've been playing it with a 62RI Tort guard installed, and it sounds amazing. The best tone I've ever heard on any of my basses. Recently, I decided to put the gold guard back on. I played a few gigs with it, and didn't think much of it, except that I noticed the bass wasn't sounding as good as I remembered. I originally thought it was the head I was using, or maybe the strings were getting old.
After the 3rd gig, it hit me that the bass hadn't sounded good since I swapped the pickguards. The next day, I put the tort guard back on, and Bam, there it was again!
Aluminum is a paramagnetic material. It will exhibit weak magnetic properties in the presence of a magnetic field. Although I've not had the personal experience of the OP I can see where it could have a slight effect on the size/shape/strength of the magnetic field the coil of a pickup sees and change the sound.
Store brand is actually the same exact stuff, and about $1 less. I suggest you try it. I mix mine with a granola that I like. Kind of like hamburger helper, but for granola.I'm hip, man!!! Grape Nuts is the $h*t!
I once dyed mine purple but they didn't taste ANYTHING like Post's version!
I remember when I switched from Schaller to Dunlop straplocks. Talk about an epiphany! The difference wasn't in the actual sound of the notes played, but the "space" between the notes and the existential groove of my playing. The Dunlop straplocks provided a sense "air" and "space" to my playing. Black backgrounds between plucked notes were seemingly "more blacker." There was simply more "there" there. I installed the Dunlop straplocks when the humidity in my home was 34% and allowed no ionizing substrates to operate in a 32 meter radius as to not interfere with the wood to metal interaction as I didn't really want to have to screw the straplocks into the body more than once; 1 fiber of wood lost can drastically decrease the blackness of the blacks. The sense of immediacy and detail in my playing increased substantially. But, I ended up ultimately having to take the straplocks off and reinstall them because I initially installed the Dunlop straplocks during a full moon cycle, but I realized that the alloys contained therein might not "mesh" with the moon's cycle so I uninstalled them using latex-free gloves, waited exactly 4 days, and reinstalled them again this time during a harvest moon, specifically at 11:07pm as there are scientifically less charged free electrons in the air at that specific time and the harvest moon has less of a chance of contributing to the oxidization of the exposed screwthreads. I also ordered specially treated Jamaican alloy steel screws this time, just for the funk of it. This made a HUGE difference, and what I thought would be detrimental by unscrewing the straplocks turned out to be a mindblowing sonic revelation! Once again, the black spaces between notes were actually even more "more blacker." The sense of immediacy was immediately more immediate than immediately before, and I had an even greater airy sense of spacial air in the same air space. There was even more "there" there, even more "there" there than there was "there" there before. Dunlop straplocks are keepers! But, I might be missing some of that fluidity of note sustainability mojo that I was soooo used to when I was using the Schaller straplocks...but I've found that if I use baby wipes versus regular Charmin my fluidity improves substantially...and the blacks are even blacker upon visualization. I never knew I had so much funk in me!
Good enough for me...Words from Bill Lawrence on eddy currents. [Invalid or Expired Link Removed]
I thought blacker blacks was a TV thing.