Replying/asking to you three, but anyone else who can chime in too, of course.
Yesterday, I got the chance to try an SP1 at a store, but you know how it goes: music stores on a Saturday are crowded and noisy, so I didn't get to try it on an amp I know and there was all kinds of sounds around. I liked the bass a lot, but I have one question for you all who know these basses well: can you make it snap when you dig in like in the sound clip here?
Yesterday, I got the chance to try an SP1 at a store, but you know how it goes: music stores on a Saturday are crowded and noisy, so I didn't get to try it on an amp I know and there was all kinds of sounds around. I liked the bass a lot, but I have one question for you all who know these basses well: can you make it snap when you dig in like in the sound clip here?
I have both. The SP1 adds that low B to your P sound, which is nice at times. You could also do flats on your P and half rounds/ian allisons on your SP1 to have a touch more bite. The combustion is super clean and the low B is more percussive/clear, but the sound is definitely different. Can't really go wrong with either, but if you wanted a larger range of tonality, Combustion might be the way to go. You *could* grab a Nashville combustion with the selectable mid pickup and the tone control knob - I have one, and the tones out of that are SICK! You can do middle only, which mimics a P, and when rolled off is pretty darn good, and when you take it out of the mix, the out pickups have a jazz bass-esque sound with the traditional blender vs. the rotary. That's my two cents, and a strong suggestion of the Nashville. It is a little more, but the options and the Neve pre are worth every penny. - Jeff
Sound is so subjective, but in my opinion, and based on the feedback we have received from customers, with the right pre one can play and sculpt a tone for any genre. I am a Rocker and old Blues guy. But for my ears, my answer would be yes, one can easily - again, with a the right pre ( I test with a Genzler Magellan 800+ amp), sculpt for a modern sound or an old school sound.
I would also not say that the Combustion would sound too big or detached from the whole. We have customers playing Country, Jazz, Rock, and Metal who say it fits right in.
With the right combination of strings and amp/eq, anything is possible.
Personally I'd have a much harder time EQing something like a Stingray or Dingwall NG-2 to suit my taste, but I've been playing P basses of one type or another for 25+ years and that's just what I know how to work with the best.