What the AmpWedge looks like in action. Not a super high lift, but extremely effective at hearing more clearly while standing close to the cab.
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I'm trying to find a solution for the old generation PJB stuff. I’ve got these two amps left over from when I was a dealer, would be cool if I didnt have to buy more stuff (ever again). Because I've got this Cub (100w) + Suitcase (200w) though, theoretically I’ve got the same power as the Super Flight Case, with a little extra control of the monitoring (albeit a bit clunkier). Sounds great like this, though - at least in my practice room. Im already brainstorming some sort of tripod mount or easily transportable pole mount between the two amps to securely raise the Cub to ear level. I think this is going to work just fine - I’ll just get a dolly cart to lug it all around.I love my amp wedge with the MAS speakers....seems to kind of defeat the upward facing speaker with the PjB stuff though?
I'm trying to find a solution for the old generation PJB stuff. I’ve got these two amps left over from when I was a dealer, would be cool if I didnt have to buy more stuff (ever again). Because I've got this Cub (100w) + Suitcase (200w) though, theoretically I’ve got the same power as the Super Flight Case, with a little extra control of the monitoring (albeit a bit clunkier). Sounds great like this, though - at least in my practice room. Im already brainstorming some sort of tripod mount or easily transportable pole mount between the two amps to securely raise the Cub to ear level. I think this is going to work just fine - I’ll just get a dolly cart to lug it all around. View attachment 4340604 View attachment 4340605
I love my amp wedge with the MAS speakers....seems to kind of defeat the upward facing speaker with the PjB stuff though?...If I ever have to buy another amp it's prolly gunna be that upward facing PJB. Played thru one once and it was really nice.
I'd be concerned with phase/comb-filtering issues doing something like that. Have you thought about simple earbuds?
What the AmpWedge looks like in action. Not a super high lift, but extremely effective at hearing more clearly while standing close to the cab.
View attachment 4340503
Kind of OT, but if you're looking for a tiny combo, the Double Four is far superior to the Cub.
It can cut a gig with a drummer at non-bashing volume. I think it has to do with that "radiator" thingamajig at the back which handles some low frequencies. The bottom is huge for such a tiny amp. In some environments I place it on end to avoid boominess. It does, however, need some kind of coupling with the floor; sitting on a chair it's not so good. I do use an old Fishman Pro Platinum pre with it. It's not a beautiful sound like the bigger PJ models - I've used a friend's amp with the up-facing speakers in addition to the forward-facing and love it - but it weighs under 9lbs and is great for gigs where a little barking is ok. Since the pandemic I've been doing a weekly outdoor jam session in a local park with horns, drums, keyboard, and guitar, and the Double Four actually works better than my usual Tonedexter - Clarus - Upshot rig. Not as pretty or subtle, but plenty of sound and clarity. It's amazing. My limited experiance with the Cub is that it's only good for semi-acoustic settings where you just want a little extra boost, or maybe - I haven't tried this, but someone above suggested it - as sort of a personal monitor in addition to a larger amp. I recommend it highly with the caveat that it is, after all, tiny, and you can't expect too much. It's a working musician's tool, not the ultimate solution.That's good to know. I have a CUB, and it's disappointing, the only PJB gear i can say that about. Can you give a more detailed comparison?
I played a gig tonight that I wish I hadn't taken -- a decent paying country/western thing with a relatively big name front man. No set lists and I'm not too familiar with the tunes ( I'm a jazz guy ) and was trying my best to keep up while dude flashed numbers with his right hand. I played the whole 3 hour set (!) without really being able to hear myself out of the house amp/pa. It was terrible. Everyone was really nice about it, but I can tell you now - it’s the last time I play without that Cub as a personal monitor. It should have been such an easy gig, but it felt like shooting darts in the dark — even on simple I IV V tunes — and I never want to feel that way again. Uggh… amping upright bass is hard.
I played a gig tonight that I wish I hadn't taken -- a decent paying country/western thing with a relatively big name front man. No set lists and I'm not too familiar with the tunes ( I'm a jazz guy ) and was trying my best to keep up while dude flashed numbers with his right hand. I played the whole 3 hour set (!) without really being able to hear myself out of the house amp/pa. It was terrible. Everyone was really nice about it, but I can tell you now - it’s the last time I play without that Cub as a personal monitor. It should have been such an easy gig, but it felt like shooting darts in the dark — even on simple I IV V tunes — and I never want to feel that way again. Uggh… amping upright bass is hard.
Exactly. The 'tip the band with shots' format they've got going on over there didn't help matters, either. It was an interesting (albeit slightly embarrassing) experience, but in hindsight there were lessons learned regarding staying within one's wheelhouse.My problem with playing I-IV-V tunes that are unknown to me is that there are so many permutations of those chords, and melodic leading tones don't help so much! It's easy to guess wrong. And if I can't hear myself, that anxiety makes it worse.
One final aspect is I generally had the amp really close to my back. To me, playing through an amp makes me feel disconnected from the instrument to some degree, as if there is a percieved delay between when I pluck and the sound reaching my ears. Keeping the amp as close to your ears as possible seems to help with this sensation somewhat. Hearing the higher frequencies more clearly also seems to help.