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Do amps ever come back in style?

Some amps never seem to go out of style (Ampeg SVTs, for example), while others that were once ubiquitous have gone the way of Chorus pedals. I’m thinking here of Acoustic, Trace Elliot, Eden, SWR, Sunn and Vox. You could arguably add GK and Markbass to that list as well. But while some basses and effects do come back in style, I can’t think of any examples with regard to amps (B15, maybe?). I’m aware most of the aforementioned brands no longer exist, but that’s never stopped anyone. Why is that, do you think?

Eden is another. I think continuous manufacturing has a lot to do with it, and there is a fashion aspect (both audio and visual), and finally technology improvements that are considered.

For example, 1964 Impala SS is is a gorgeous automobile, one of the best in it’s class in it’s day in the United States, but I doubt today may would want deal with the numb ponderous steering, the loud engine, not to mention the ridiculously poor gas mileage.

As for my Eden gear closing out 15 years of service by today’s standards is heavy, not exactly energy efficient, (stereo power amp that can eat up to up 18 amps), and a little on the large side.

But to your point, until I can’t move it, it’s is rock solid, durable (World Tour…they meant it. It will stand up to that as well as me banging it around quite nicely) and still sounds great. I never was much of a follower fashion, so there is that as well.
 
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Great tone never goes out of style, regardless. Our ability to lift it as we..ripen…does. Moving my Acoustic 371/301 was easy in 1974, just looking at one now makes my back hurt
I am with you on that! Incidentally, I am contemplating a move to Texas, how is life in Midland? is there a music scene there, and do you have enough room for another bass player in town?
 
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Says who?...
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Attention, controversial opinion:
I think amps in general are on the way out.



The future will hold a lot more pedalboard / modeler setups straight into FOH, with FRFR monitor systems in the rehearsal room for those who don't want to go down the IEM route.
This may be true but it will always have that black cloud controversy like PJs and Jazz basses sounding exactly like P basses, close but no cigar...
 
This may be true but it will always have that black cloud controversy like PJs and Jazz basses sounding exactly like P basses, close but no cigar...
Will the "close" be close enough for everyone but we bass players? I think it already has achieved that. The old trope of us being the only ones who care about tone more than "It sounds like a bass." is pretty much spot on.
 
I am with you on that! Incidentally, I am contemplating a move to Texas, how is life in Midland? is there a music scene there, and do you have enough room for another bass player in town?

Texas pretty much occupies the same land mass as France, Switzerland, and part of northern Italy. I bet we can fit one more bass player in the state.

As someone who grew up in the Western part of Texas... Midland wouldn't be my first choice... but it does have its own charm.
 
These are all product development and manufacturing companies. I think if you run a company like that you always have three potential future scenarios:

  1. Continue to grow the company, adapt to changes in the market, onward and upward
  2. Sell the company to another who values the IP or market share
  3. Shut it down
Most of the companies the OP listed as having passed out of fashion chose other than #1 and are just gone in one way or another. Sometimes hard to understand, too, like in the case of Genz-Benz who was making stellar amps up until they sold to Fender who appears to have totally scuttled the brand (unless you argue that the redesign of the Rumble line happening at the same time as the Genz acquisition isn't coincidental).

But in one sense or another, those companies are no longer popular because they aren't trying to be.