I’m sure some, (most?) of you know the pleasure of “breaking-in” a DB (or acoustic instrument, e.g. flattop guitar, violin, or cello… since this is TB I’ll use “DB”). A new DB or refurbished DB can be a wild ride where it finds its voice over the course of a few hours, days or weeks of heavy playing as I’ll define as “breaking in”. Or the more common experience when a neglected DB or DB for sale finds a new player and there’s a dance of how the bass will influence the player plays and how the player will push the DB to find a new voice and “break in”…
Anyone who has experienced this, myself included, will know how magical and special that ride is, as you’re creating a bond with your DB…
…but what I’m wondering is: does a bow go though a similar transformation? or is a bow “what it is” and the player has to negotiate (or not!) the feel and voice of the bow? Or another way to ask my question: adjusting for quality, is there a difference in new bows vs. well played and maintained bows?
Anyone who has experienced this, myself included, will know how magical and special that ride is, as you’re creating a bond with your DB…
…but what I’m wondering is: does a bow go though a similar transformation? or is a bow “what it is” and the player has to negotiate (or not!) the feel and voice of the bow? Or another way to ask my question: adjusting for quality, is there a difference in new bows vs. well played and maintained bows?