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Do I really need a 5 string bass?



Back in 1981, Robert Wilson tuned his E down to B and recorded this classic with a four string Precision. The B sounds weak compared to a good five, but this is still an all time slow jam bassline.


I find the bass in this song to no longer be musical. It is more of a low frequency effect rather than part of the music. Sort of like controlled rumbling. I want him to come up an octave and join the rest of the band.

That song has been a r&b staple longer than many TBers have been alive. A whole lot of folks like that B just fine.:bassist:

That song is pure sex appeal. VERY nice.
 
I had a bit of a floppy B on this Squire Affinity V. I decided I didn't play lower than D often, so I did a custom tuning, that really works for me.

I ended up going with DR High Beams from Welcome to Bass Strings Online - Your Custom Bass String Shop...

D .120 G .090 C .065 F .050 Bb .035

The bass is pretty stock, other than that, (and it had the Fender on the headstock when I bought it - I would never bother with a thing like that) and it sounds and plays really nice.

Fiverwd.jpg
 
I debate this with myself al the time. I have a pair of beautiful 5 strings - Roscoe fretted and fretless - that I love. The only B string I have really liked and found useful - other than a Warwick Dolphin I had a long time ago and my Lakland wasn't too bad.

Anyway, I do use the B string for both range and position, but I don't need to as I play in bands with at least one keyboard player that could take it down an octave for the last note and such.

I sometime go through the thing where I watch/listen to great players playing great on a 4 string P or J and think maybe I should simplify and go to a passive 4 string but then I go play at church and my Roscoe just kills it.
 
You not liking it is a matter of taste. The song was a huge hit, so it obviously spoke to a lot people, and the song is still played on r&b stations today.

YES, you are absolutely right, pretty much all music is a matter of taste and that one doesn't speak to mine. That was my opinion on why it sounded bad to me and as you probably already know, I can be pretty opinionated. And regardless of my "opinion" it certainly is the earliest example I've ever heard that attempted to incorporate those low notes into a song, so I will at least acknowledge its significance for doing that.
 
Not sure after 37 pages anyone will even see this :-)

I play 5's almost 100% of time on stage and when I want otherwise. There are songs for various reasons I can use the 5th string to make the song easy/better/my way. Many others have already mentioned these so I won't repeat. But that is hanging out and not under fire in a live situation. So, I am in a set with mostly 4 string songs and a 5 string song comes up but no time to change bass. Party On! So - while doing that one song I am kicking myself for not having a 5 in my hands. So - for new basses I only buy a 5. Actually the cost is little mores and I feel for a 4 I am getting ripped off somehow. It is a lot tougher with vintage stuff and hollow bodies as the choice is basically all a 4.

Me - when in doubt get the 5

- Ziggy -
 

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