I'm a jazz guy at heart. I don't like doing the same thing twice. Most of my non-church gigs are on the upright. I sometimes bring a P-bass in case the sound post or bridge Falls over or something. Or just in case...
For electric gigs, I'll bring 2 pretty different basses. A p-bass and an active 5. My only bass-related problems I have ever had were related to the active circuits, or sometimes one bass just did NOT work for that band or that room. I usually start with the "new" or "shiny" one of the stable, then switch to the P-bass and stay there the rest of the night. The times I have brought a P-bass only, we're the times I was most satisfied with my tone.
Right now my go-to pair is a Warmoth P I built strung with flats and a Dingwall Combustion. My goal is to make a Dingwall Super PJ my number 1 and an Afterburner V my active 5er.
For electric gigs, I'll bring 2 pretty different basses. A p-bass and an active 5. My only bass-related problems I have ever had were related to the active circuits, or sometimes one bass just did NOT work for that band or that room. I usually start with the "new" or "shiny" one of the stable, then switch to the P-bass and stay there the rest of the night. The times I have brought a P-bass only, we're the times I was most satisfied with my tone.
Right now my go-to pair is a Warmoth P I built strung with flats and a Dingwall Combustion. My goal is to make a Dingwall Super PJ my number 1 and an Afterburner V my active 5er.