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Do you use a Combo amp when you Gig? If so, what is it?

5E58CD14-05EB-455D-B168-8E44DD4B833D.jpeg If I do it's this..Mesa 12
 
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I used to subscribe to the theory that a real gigging musician uses a separate head and cab. Lately I've been noticing here around Vegas that a lot of bass players use combo amps on their gigs. What's your story?
I have one of these. Never been a problem being heard in any context I have played in and there is an impressive amount of sound tailoring that can be done with it.
 
Mine's a Frankenstein. It was originally a Hartke combo with a 200 watt head and an aluminum coned 15. I sold the head and put in a Fender BXR300C head. I blew the speaker and put in a Carvin 800 watt 4 ohm speaker. Occasionally I'll push the speaker with an Ampeg PF800. Either way this combo kicks ass!!!
 

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I did several hundred gigs through a Markbass CMD151P Combo and was generally pretty happy with it. It was rarely perfect but always pretty damned good. If you are concerned with how much volume you can get for minimal weight, one handed carry, I still think this combo is hard to beat.

Smaller cafe type gigs I've done with a Markbass CDC121P Combo and it's been great.

Having said all that, I am currently using a head and cabs.

Mike
 
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Hi Charles, this is what I was using with the rock trio when you came to my gig:
https://www.sweetwater.com/store/de...rueger-mb212-ii-2x12-inch-500-watt-bass-combo
I brought this with me from Guam, I was a GK dealer for a long time with our store and have owned the gkneo 4x12, 4x10, 1x15, and the small MB150 combo w/extension cab (and owned the 2001RB head, mb500 and mb200 head). I found I could do all my small and medium club gigs with this mb212 no problem and took up less space on small stages, easier load, etc. The 412 and 2001rb was prob the best sounding rig I ever owned but only took it to larger venues (I sold to a sound company before I moved, along with my 410 and 115 gk cabs). I used to take the 410cab and mb500 head to my club gigs there but the 212 combo did just as well and was easier and I'm getting old and lazy :)
I did keep the MB500 head and bought one neo115 cab since I moved here but have mostly used the 212combo for gigs that I needed to bring an amp. We played TheSpace last week and I took the 115 and mb500 and think I'm going to buy another neo115 to stack for the bigger gigs like that as it really wasn't enough.
 
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Another vote for a GK MB210-ii, playing smallish bars and such. Run the DI into the PA as needed (or just to get it in the drummer's monitor, really). I had been using a half-stack, but switched back to combos when I started bi-amping. Stage spaces are often crowded and it's easier with the GK to stack my "guitar" amp (currently a Marshall Origin 20) right on top of it.
 
Years ago, I bought a Fender Bassman 150 combo as a practice amp. The more I played it, the more I liked it: simple; good tone; decent EQ capabilities; XLR out. But I knew it didn't have enough horsepower for some of the gigs I play, and there's no option for an extension cab. So I bought a second one. This "combo combo" now gives me the extra "oomph" and redundancy I require. It will never completely replace my other rigs, but it works for many occasions.

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