• TalkBass has been independent since 1998. Add your voice.
    Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
    Join freeLog in
    Want zero display ads or expanded classifieds tools? Compare plans.

Do You Use a High Action?

I used to set my heavy gauge flats strings action high. Suits my play, like the feel and tone, although sacrificed some playability.

But recently I lowered the action and tuned down one step (D G C F). Much easier to play while I'm relearn again my basic technique from zero.

My two cents :)
 
My basses are pretty stable (no idea why) and I have never known or cared the number of millimeters between the 12th fret and the string. However, my eyeball estimate is around 3mm. This is on my 1973 Rickenbacker, which I have NEVER taken to a shop to have setup in the 24 years I've had it.

I've always played pretty aggressively, so I like a little bit higher action. Now, I don't have to give myself tendonitis to make the bass play, but I have handed my bass to other folks who have a hard time getting the sound out of it that I do -- they usually seem to think I've turned the volume way down on them.

With super low action, I find the bass to be stiff and unresponsive dynamically. Of course, too much fret-clacking makes me back off the right-hand anyway. With too-high action you get a great fat tone, but it takes a lot more work. I have re-shimmed the neck on my Hondo P bass a number of times playing with it -- but I don't think after a certain point action makes much difference. The neck is simply clunky on that bass.

My Squier VM-J basses (one fretted the other fretless) both came off the wall and into my hot little hands with nary a change in action.

I don't like it too high, but I don't really do micro-adjusting of the bass. I have just never had a moment with any of my basses except the Hondo where I thought I needed to change something. And the Hondo I screwed around with after reading a BIlly Sheehan article in the late 1980's that recommended (among other things) "cracking" the neck to break it in. I shimmed and screwed with that neck until it was virtually unplayable, then tore it all out and re-set it the way it was supposed to be . . .still kind of high, but it was playable for me.
 
I use a medium action; low actions are nice for the studio, for all the reasons previously mentioned - speed, fatigue, tone - but I prefer, as do a few guys I know, a higher action live.

The reason for this is we tend to move quite a bit on stage, bouncing around and generally trying to put on a show; we can't really be playing as cleanly as usual as a result of that divided attention, so we set our actions a bit higher on the basses we like to gig with.