- Feb 12, 2006
- 61,095
- 5
- 221,230
- Disclosures
- Development Engineer-Mesa Boogie, Development Engineer-Genzler (pedals), Product Support-Genz Benz
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I have one of each. I actually took the time to reverse the fan on the 87. Had to put it back because it was a lot noisier. My theory: The 69 has a cut out in the grill for the fan, the 87 does not. The air passing through the little holes in the grill form into high speed jets. When the jets hit the fan blades, they produce a rather obnoxious whirling sound.You should look up the various threads on the SVT for its fan direction, should it blow frontwards out of the amp, or intake and blow backwards towards the tube. It's highly debated.
There are a lot of reputable enginering information and data can prove the hot spot point on valves. There are several reasons why fan cooling on valves should be carefull design to not short life valves. It's an old trade now...I have several mass produced tube bass amps that disregard this advice.
IMO and IME, this is a perpetuation of urban myths (within reason) for most audio power tuner that I can think of.There are a lot of reputable enginering information and data can prove the hot spot point on valves. There are several reasons why fan cooling on valves should be carefull design to not short life valves. It's an old trade now...
Early tube gear all had the chassis on the bottom of the cab with tubes on top of tge chassis. This worked great for tv, radios, etc. that were essentially furniture and had closed backs. But instrument amps mostly had open backs. Musicians wanted to toss stuff inside — even if it was only the amp's power cord — and tubes got knocked askew or broken. They moved the electronics to the top (upside down) for practicality. Most designs were engineered conservatively for clean power without stressing the tubes much, so they didn't get all that hot. I say most because there were exceptions. Look up VOX AC30 fires.So why did so many amps put the tubes upside down and allow the heat to gently broil delicate electronic parts?
I think there's an (albeit slight) argument to be made that blowing a fan directly at one side of the tubes has a more dramatic cooling effect than air being pulled through a the wide opening in the back of the amp.Except that the cool air enters on the other side of the tube, either direction causes one side to be warmer or cooler than the other side.
True however, in some amps the amount of cooling on a given tube is going to vary considerably more than you describeI think there's an (albeit slight) argument to be made that blowing a fan directly at one side of the tubes has a more dramatic cooling effect than air being pulled through a the wide opening in the back of the amp.
As a practical matter, there will always be a temperature difference between tubes, it's not a huge deal. The more important thing that a fan brings is a significantly LOWER overall temperature across all tubes. It also lowers the chassis temperature which lowers the internal temperature of all components.True however, in some amps the amount of cooling on a given tube is going to vary considerably more than you describe
This is a Mesa 400+
View attachment 7299928
Fan on the right blows air across 12 6L6GC tubes.
The fan in the 400+ has three settings, off, low-speed, high-speed.
View attachment 7299930
The back, side, and top are vented. If you run your hand across the top panel, it get's progressively hotter as your hand gets further from the fan.
The Mesa 400 and D180 use the same air path, but there are six tubes in one line.
The fan in the Aguilar DB359 uses the same air path as well, but there are only four tubes in one line.
My impression is the variance across the tubes would be far more significant if the fan sucked air out. The output air flow of a fan tends to be more directional than the input air flow.
Additionally, pulling hot air through a plastic fan doesn't sound like a good idea.
That's at 1/8-rated power, the standard value used for normal operation regulatory testing.Is that with the amp at idle or under full rated output?
And when you state "core" temp, how is this measured?
My understanding is live bass has about a 12dB crest factor. If I understand, 1/8th power with a 12dB crest factor puts transients of the signal right at the amp's power rating.That's at 1/8-rated power, the standard value used for normal operation regulatory testing.
Yes and this is the value specified under IEC 60065 and 62368.My understanding is live bass has about a 12dB crest factor. If I understand, 1/8th power with a 12dB crest factor puts transients of the signal right at the amp's power rating.
AFAIK 1/8 of rated power is -9dB down. Convert the RMS power to peak power and you get +3dB. Put these two together and you get a 12dB crest factor.
For a 100W amp:
- RMS Power = 12.5W RMS long term (-9dB)
- Program Power = 100W RMS short term (0dB)
- Peak Power = 200Wpeak(+3dB)
Thermocouple. When an amp come back from UL, it's covered with superglued thermocouples!And when you state "core" temp, how is this measured?