Personally, I like Mogami 2524 for instrument cables. I get my cables and connectors from www.redco.com
TalkBass has been independent since 1998. Add your voice.
Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
Join free Log in
Want zero display ads or expanded classifieds tools? Compare plans.
Just order it from markertek.com.Would you know where I can get a Canare GS-6 or GS-4 cable in Los Angeles? Can you suggest a durable cable, without the 1/4 jacks, which I can put together?
I also teach high school, and accumulated a graveyard of dead cables. My dad is great at soldering, so I had him inspect all the cables. We had about 50 Frankenstein cables, as a result.Always thought about doing it...really liking this idea, has any of them failed you yet? I teach music at a high school where we provide the instruments, and instrument cables go bad so often (and there's only one store that sells music stuff and it's not the top shelf stuff either). I'm thinking 2 conductor cabling + techflex sleeving + 90 degree ends would be a near indestructible cable...
Not in LA,, but very fast to ship: [Invalid or Expired Link Removed]
They sell Canare, Mogami, Evidence, and their own bulk cable. I went with this: [Invalid or Expired Link Removed] . Made the cables up yesterday, quite happy with the results cosmetically, and looking forward to testing them this weekend. Fabricating custom cable sets was part of my day job for many years though, so it's pretty much old hat to me.
I'm sure I could... probably more repair them, than construct... has anyone ever calculated putting together a 20' instrument cable, connectors and all, as opposed to buying one of the same quality?
I'm sure I could... probably more repair them, than construct... has anyone ever calculated putting together a 20' instrument cable, connectors and all, as opposed to buying one of the same quality?
I think using the mic cable has the potential to be more reliable).
Eight bucks for a pair of right-angle Switchcraft 226’s, 11$ for 20 ft. of Canare L-2T2S, so under $25 with shipping. Markertek sells a similar cable with Canare G6 stock and different connectors for $90. (As I noted, I think using the mic cable has the potential to be more reliable).
Regards,
Wayne A. Pflughaupt
Administrator, Pedulla Club #45
Administrator, Tobias Club #133
Fretless Club #943
Big Cabs Club #23
My Basses
Pedulla Club #45
20 feet Mogami cable @ 0.95 per foot
2 top quality plugs ~ $3.50 ea.
2" rosin core solder (15/lb) ~ 0.5¢
2" shrink tubing ~ 10¢
10 minutes assembly & test
($20/hr) $3.50 rounded.
$19.00 cable
$ 7.00 plugs
$ 0.01 solder
$ 0.10 shrink tube
$ 3.50 time
$29.61 total ($26.11 if you ignore your time)
------
Quick scan of prices online:
18' Mogami Gold $59.95
18' Mogami Silver $39.95
18' Mogami Platinum $164.95
21' Monster $39.95
20' LiveWire Elite $42.99
20' Planet Waves $29.99
Personally, I like Mogami 2524 for instrument cables. I get my cables and connectors from www.redco.com
Bass guitar only extends out to 3-4 kHz. Any high-freq attenuation, if present at all, will be octaves higher than that. Some may argue that harmonics and overtones will extend up that high. Anyone who can actually hear the difference in an A/B test obviously needs to use a different cable.You'd likely also have higher capacitance with that extra conductor, so wouldn't there be more attenuation of highs using mic cable?
Not necessarily, that wholly depends on the cable. I’ve seen plenty of stiff single-conductor guitar cable. The L-2T2S is as supple as it gets. By contrast, some Mogami W2549 mic cable I tried was much stiffer and wouldn’t as readily lay out on the ground.I'd also suspect the cable would be stiffer, bulkier, and heavier than standard shielded audio cable.
Bass guitar only extends out to 3-4 kHz. Any high-freq attenuation, if present at all, will be octaves higher than that. Some may argue that harmonics and overtones will extend up that high. Anyone who can actually hear the difference in an A/B test obviously needs to use a different cable.
Not necessarily, that wholly depends on the cable. I’ve seen plenty of stiff single-conductor guitar cable. The L-2T2S is as supple as it gets. By contrast, some Mogami W2549 mic cable I tried was much stiffer and wouldn’t as readily lay out on the ground.
Ditto with bulk – entirely the cable build. For example, Canare’s L-2E5 mic cable is substantially thinner than the L-2T2S. It’s accomplished by using smaller-gauge wire and thinner insulation on the individual conductors and outer jacket itself.
![]()
Canare L-2T2S (top) vs. L-2E5 (bottom)
Regards,
Wayne A. Pflughaupt
Administrator, Pedulla Club #45
Administrator, Tobias Club #133
Fretless Club #943
Big Cabs Club #23
My Basses
Pedulla Club #45
Personally, I like Mogami 2524 for instrument cables. I get my cables and connectors from www.redco.com
I agree with Wayne. The high quality instrument cable I buy through parts express is thicker than mic cable. In addition to a thicker casing, the shielding is braided and very high quality. The shielding on mic cable is often spiral wound, not braided which can make it a bit thinner and more flexible than high quality instrument cable. My guess is that spiral-shielded mic cable does not shield quite as well as braided instrument cable, but since mics use a balanced signal, the shielding probably doesn't have to be as good to be as quiet.Not necessarily, that wholly depends on the cable. I’ve seen plenty of stiff single-conductor guitar cable. The L-2T2S is as supple as it gets. By contrast, some Mogami W2549 mic cable I tried was much stiffer and wouldn’t as readily lay out on the ground.
Ditto with bulk – entirely the cable build. For example, Canare’s L-2E5 mic cable is substantially thinner than the L-2T2S. It’s accomplished by using smaller-gauge wire and thinner insulation on the individual conductors and outer jacket itself.